"Le concerto de l'adieu (Du spectacle "Les orgues de feu")" by Georges Delerue, Prague Symphonic Ensemble was released on November 16, 2018. The duration of Le concerto de l'adieu (Du spectacle "Les orgues de feu") is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Le concerto de l'adieu (Du spectacle "Les orgues de feu")'s duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Le concerto de l'adieu and no other songs are present in the album, we classify this track as a single. On top of that, France appears to be the country where this track was created. In terms of popularity, Le concerto de l'adieu (Du spectacle "Les orgues de feu") is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le concerto de l'adieu (Du spectacle "Les orgues de feu") by Georges Delerue, Prague Symphonic Ensemble to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'arrivée du roi à l'Escurial - Bande originale du film "La folie des grandeurs" | Michel Polnareff | C Major | 3 | 8B | 143 BPM | ||
Guitar Forever | Christophe Julien | A Minor | 2 | 8A | 132 BPM | ||
La panthère rose | Orchestre symphonique Divertimento | F Minor | 1 | 4A | 111 BPM | ||
Les dossiers de l'écran | Morton Gould | G Major | 2 | 9B | 83 BPM | ||
Marcel et Augustine | Vladimir Cosma, Orchestre Philarmonique de Paris | F Major | 2 | 7B | 144 BPM | ||
La grande cavalerie : Marche triomphale d'Aïda | Big Top Circus Orchestra, Roger de Foy | A Major | 6 | 11B | 109 BPM | ||
Trio No. 2 en Mi Bémol Majeur, Op. 100, D. 929: Trio No. 2 en Mi Bémol Majeur, Op. 100, D. 929: II. Andante con Moto | Franz Schubert, Antoine Landowski, Boris de Larochelambert, Trio Chausson, Philippe Talec | C Minor | 0 | 5A | 92 BPM | ||
Thème de Camille - From le Mépris, 1963 | Georges Delerue | F♯ Minor | 2 | 11A | 94 BPM | ||
Symphony No. 40 in G Minor, K. 550: 1. Molto Allegro | Wolfgang Amadeus Mozart, Wiener Philharmoniker, James Levine | D Major | 1 | 10B | 95 BPM | ||
Le fabuleux destin d'Amelie Poulain: Theme (Arr. N. Reiser and M. Keller) | Ulrich Herkenhoff, Kurpfälzisches Kammerorchester, Frank Zacher | D Minor | 1 | 7A | 185 BPM |
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