"Pohjantähden Alla" by Jorma Hynninen, Jukka Kuha was released on July 22, 2015. The duration of Pohjantähden Alla is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Pohjantähden Alla's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Pohjantähden Alla - Suosittuja Hengellisiä Lauluja". In this album, this song's track order is #9. Based on our statistics, Pohjantähden Alla's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pohjantähden Alla by Jorma Hynninen, Jukka Kuha having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Crux Fidelis (after "Ombra ma fu"- Xerses, HWV 40) | George Frideric Handel, Capricorn, Choir of New College, Oxford, Edward Higginbottom | F Major | 0 | 7B | 133 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Porgi amor" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | C Minor | 1 | 5A | 61 BPM | ||
Thomas: Act I: Unesta tulee tytto, yon tytar hamaram neiti (Chorus, Thomas, Maagit) | Einojuhani Rautavaara, Jorma Hynninen, Peter Lindroos, Matti Piipponen, Sini Rautavaara, Marko Putkonen, Antti Suhonen, Anssi Hirvonen, Hannu Sokka, Jaakko Hietikko, Anitta Juhala-Jolkkonen, Joensuu Music School Choir, Savonlinna Festival Opera Choir, Joensuu City Orchestra, Pekka Haapasalo | A♭ Major | 4 | 4B | 87 BPM | ||
Kullervo, Op. 61: Act I: Introduction: Untamoinen verkot laski kalervon kalavetehen (Chorus) | Aulis Sallinen, Jorma Hynninen, Eeva-Liisa Saarinen, Matti Salminen, Jorma Silvasti, Satu Vihavainen, Anna-Lisa Jakobsson, Pertti Makela, Juha Kotilainen, Paula Etelavuori, Marko Putkonen, Matti Heinikari, Esa Ruuttunen, Vesa-Matti Loiri, Finnish National Opera Chorus, Finnish National Opera Orchestra, Ulf Söderblom | A♭ Major | 0 | 4B | 70 BPM | ||
Serse / Act 1 HWV40: "Ombra mai fu" | George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras | E Major | 1 | 12B | 90 BPM | ||
Four Songs, Op.2: 2. The Nightingale and the Rose | Nikolai Rimsky-Korsakov, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | B Minor | 0 | 10A | 87 BPM | ||
Requiem, Op. 48: IV. Sanctus | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | E♭ Major | 0 | 5B | 76 BPM | ||
Vittoria, mio core! | Giacomo Carissimi, Cecilia Bartoli, György Fischer | C Major | 1 | 8B | 91 BPM | ||
Forkladd gud, Op. 24: Vem spelar pa en pipa en lat av gryningsluft | Lars-Erik Larsson, Martin Lidstams Vokalensemble, Stockholm Radio Orchestra, Stig Westerberg | E♭ Major | 0 | 5B | 101 BPM | ||
Turandot / Act 2: "In questa reggia" | Giacomo Puccini, Dame Joan Sutherland, Luciano Pavarotti, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | D Major | 2 | 10B | 78 BPM |
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