"Crux Fidelis (after "Ombra ma fu"- Xerses, HWV 40)" by George Frideric Handel, Capricorn, Choir of New College, Oxford, Edward Higginbottom was released on January 1, 2000. The duration of Crux Fidelis (after "Ombra ma fu"- Xerses, HWV 40) is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Crux Fidelis (after "Ombra ma fu"- Xerses, HWV 40)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 20 in Bluebird - Music Of Contemplation by Choir of New College, Oxford, Edward Higginbottom. Based on our statistics, Crux Fidelis (after "Ombra ma fu"- Xerses, HWV 40)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Crux Fidelis (after "Ombra ma fu"- Xerses, HWV 40) by George Frideric Handel, Capricorn, Choir of New College, Oxford, Edward Higginbottom is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave Maris Stella | Claudio Monteverdi, Capricorn, Choir of New College, Oxford, Edward Higginbottom | A Major | 1 | 11B | 139 BPM | ||
Franck / Arr. Sandré: Mass, Op. 12, FWV 61: Panis Angelicus | César Franck, Halle Choir, Hallé, Maurice Handford | A Major | 1 | 11B | 85 BPM | ||
Alcidiane: Ritournelle et Recit chante par Mademoiselle Hilaire | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 168 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Stuttgart Chamber Orchestra, Karl Münchinger | F Major | 1 | 7B | 67 BPM | ||
Overture in D Minor, TWV 55:2: Menuet II. Doucement | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 126 BPM | ||
Rinaldo: Aria: Sorte amor vuol che quest’alma | George Frideric Handel, Giacomo Rossi, Aaron Hill, Filippo Mineccia, I musici del Gran Principe, Samuele Lastrucci | D♭ Major | 4 | 3B | 121 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | A Minor | 0 | 8A | 114 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe | C Major | 0 | 8B | 66 BPM | ||
Karelia, JS 115, Tableau 4 "Karl Knutsson in Viipuri Castle": Ballade | Jean Sibelius, Raimo Laukka, Sinfonia Lahti, Osmo Vänskä | A Minor | 0 | 8A | 77 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM |
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