Louise / Act III: Depuis le jour - Live - Gustave Charpentier, Renée Fleming, The Metropolitan Opera, James Levine Information

Acousticness: 98%
Danceability: 30%
Energy: 24%
Instrumentalness: 0%
Liveness: 65%
Loudness: 70%
Speechiness: 16%
Valence: 6%
Popularity: 12%
Loudness: -18.243 dB

Summary

"Louise / Act III: Depuis le jour - Live" by Gustave Charpentier, Renée Fleming, The Metropolitan Opera, James Levine was released on January 13, 2023. Louise / Act III: Depuis le jour - Live is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. The track order of this song in Renée Fleming, The Metropolitan Opera's "Her Greatest Moments at the MET" album is number 10 out of 32. On top of that, United States appears to be the country where this track was created. Louise / Act III: Depuis le jour - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Louise / Act III: Depuis le jour - Live BPM

We consider the tempo marking of Louise / Act III: Depuis le jour - Live by Gustave Charpentier, Renée Fleming, The Metropolitan Opera, James Levine to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Louise / Act III: Depuis le jour - Live Key

This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
La Bohème: Si, mi chiamano Mimì	Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri	D Major	1	10B	104 BPM
Mai	Reynaldo Hahn, Susan Graham	F♯ Major	1	2B	68 BPM
Don Giovanni, K. 527, Act II Scene 10: Il mio tesoro intanto	Wolfgang Amadeus Mozart, Juan Diego Flórez, Riccardo Minasi	F Major	3	7B	112 BPM
Louise: Act II Tableau 1 Scenes IV and V: Elle va paraitre, ma joie! / Scene VII: Laissez-moi, de grace!	Gustave Charpentier, Christiane Gaudel, Ninon Vallin, Aimée Lecouvreur, Georges Thill, André Pernet, Paris Les Choeurs Raugel, Paris Les Orchestra Raugel, Eugène Bigot	G Major	1	9B	70 BPM
La sonnambula, Act I: Come per me sereno	Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto	E♭ Major	1	5B	88 BPM
Les nuits d'été, Op.7: 2. Le spectre de la rose	Hector Berlioz, Jessye Norman, London Symphony Orchestra, Sir Colin Davis	D Major	0	10B	88 BPM
Alceste (1997 Digital Remaster): Divinités du Styx	Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre	F Major	1	7B	86 BPM
Puccini: Madama Butterfly , Act 2: "Con onor muore" (Butterfly, Pinkerton)	Giacomo Puccini, Maria Callas, Herbert von Karajan, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano	B Minor	3	10A	81 BPM
Giunse alfin il momento - Deh vieni, non tardar (Le Nozze di Figaro: Susanna, 3.Akt)	Wolfgang Amadeus Mozart, Lucia Popp, Munich Radio Orchestra, Leonard Slatkin, Muenchner Rundfunkorchester	F Major	4	7B	132 BPM
Puccini: Madama Butterfly, Act 1: "Vogliatemi bene, un bene piccolino" (Butterfly, Pinkerton)	Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia	F Major	2	7B	82 BPM

ISRC: USY3P2206378
Label: L-M Records/RCA Records

Section: 0.8769733905792236

End: 0.8808364868164062