Silvius Leopold Weiss, Michel Cardin's 'Sonata No. 21 in C Minor, WeissSW 27: III. Gavotte' came out on January 1, 2015. The duration of Sonata No. 21 in C Minor, WeissSW 27: III. Gavotte is about 3 minutes long, at 3:08. Based on our data, "Sonata No. 21 in C Minor, WeissSW 27: III. Gavotte" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Weiss: The Complete London Manuscript by Silvius Leopold Weiss, Michel Cardin. The song's track number on the album is #134 out of 231 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. In terms of popularity, Sonata No. 21 in C Minor, WeissSW 27: III. Gavotte is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sonata No. 21 in C Minor, WeissSW 27: III. Gavotte by Silvius Leopold Weiss, Michel Cardin has a tempo of 101 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Sonata No. 21 in C Minor, WeissSW 27: III. Gavotte being at 101 BPM, the half-time would be 50 BPM with a double-time of 202 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Rossignol en Amour | François Couperin, Dorothee Oberlinger | D♭ Major | 0 | 3B | 84 BPM | ||
Passacaglia | Giovanni Girolamo Kapsberger, Constantinople | A Minor | 1 | 8A | 88 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Lo Fill del Rei (King's son) | Miguel Llobet Solés, Stefano Grondona | D Major | 0 | 10B | 94 BPM | ||
Fauré: Impromptu, Op. 86 | Gabriel Fauré, Markus Klinko | D♭ Major | 1 | 3B | 107 BPM | ||
La cavaliere: Courante | Francesca Torelli, Charles Mouton | D♭ Minor | 0 | 12A | 79 BPM | ||
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Jonas Nordberg | F Major | 0 | 7B | 115 BPM | ||
Fantasia No. 7, Op. 30: Introduction - Lentement | Fernando Sor, Timo Korhonen | E Major | 0 | 12B | 204 BPM | ||
Rondoncino [ms. 94] – Rondò [ms. 95, Allegretto] – Valtz [ms. 96] – Andantino [ms. 97] | Niccolò Paganini, Mauro Bonelli | A♭ Major | 2 | 4B | 83 BPM | ||
Deutsche Weise (German Air) | Johann Kaspar Mertz, Johannes Möller, Laura Fraticelli | F Major | 0 | 7B | 101 BPM |
Section: 0.5538296699523926
End: 0.5585203170776367