"Tosca (1997 Digital Remaster), Act II: Vissi d'arte" by Maria Callas, Orchestre De La Société Des Concerts Du Conservatoire, Georges Prêtre was released on 2003. The duration of Tosca (1997 Digital Remaster), Act II: Vissi d'arte is about 3 minutes long, at 3:04. Based on our data, "Tosca (1997 Digital Remaster), Act II: Vissi d'arte" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 37 in Classical Heartbreakers by Various Artists. In terms of popularity, Tosca (1997 Digital Remaster), Act II: Vissi d'arte is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tosca (1997 Digital Remaster), Act II: Vissi d'arte by Maria Callas, Orchestre De La Société Des Concerts Du Conservatoire, Georges Prêtre is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Dvořák: Rusalka, Op. 114, B. 203, Act 1: "Mesicku na nebi hlubokém" (Rusalka) | Antonín Dvořák, Lucia Popp, Stefan Soltesz, Munich Radio Orchestra | F♯ Major | 1 | 2B | 96 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance II | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | A Major | 1 | 11B | 75 BPM | ||
Cherubini: Medea, Act II: "Ah! Triste canto! Dio dell'Amor!" (Medea, Chorus, Creonte, Glauce, Giasone) | Luigi Cherubini, Maria Callas, Giuseppe Modesti, Maria Luisa Nache, Gino Penno, Orchestra Del Teatro Alla Scala, Milano, Leonard Bernstein, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 7 | 4B | 92 BPM | ||
Ponchielli: La Gioconda, Act 3: "O madre mia, nell'isola fatale" (Gioconda) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Orchestra di Torino Della RAI | F Major | 1 | 7B | 77 BPM | ||
Verdi: La Forza del Destino: La Vergine degli Angeli | Renata Tebaldi | G Major | 2 | 9B | 130 BPM | ||
Turandot / Act 1: "Ah! Per L'Ultima Volta" | Giacomo Puccini, Montserrat Caballé, Luciano Pavarotti, Piero de Palma, Pier Francesco Poli, Tom Krause, Nicolai Ghiaurov, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | F Major | 2 | 7B | 170 BPM | ||
Bizet: Carmen, WD 31, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 0 | 10B | 98 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
Don Giovanni, K. 527: Là ci darem la mano | Wolfgang Amadeus Mozart, Teresa Berganza, Ruggero Raimondi, Lorin Maazel | A Major | 1 | 11B | 93 BPM |
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