"Eisblume, Polka mazur, Op. 55" by Eduard Strauss, Andris Nelsons, Wiener Philharmoniker was released on January 17, 2020. With this song being about 5 minutes long, at 4:42, "Eisblume, Polka mazur, Op. 55" by Eduard Strauss, Andris Nelsons, Wiener Philharmoniker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 20 in the song's album "Neujahrskonzert 2020 / New Year's Concert 2020 / Concert du Nouvel An 2020". In this album, this song's track order is #10. In terms of popularity, Eisblume, Polka mazur, Op. 55 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eisblume, Polka mazur, Op. 55 by Eduard Strauss, Andris Nelsons, Wiener Philharmoniker having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wo man lacht und lebt, Schnellpolka, Op. 108 | Eduard Strauss, Zubin Mehta, Wiener Philharmoniker | D Major | 5 | 10B | 84 BPM | ||
In lieb' entbrannt, Op. 117 | Eduard Strauss, Czech Philharmonic Chamber Orchestra, Marek Štilec | B♭ Major | 1 | 6B | 87 BPM | ||
Elisabetta, regina d'inghilterra: Sinfonia | Gioachino Rossini, Cracow Philharmonic Orchestra, Antonino Fogliani | E Major | 7 | 12B | 119 BPM | ||
Salut For August Bournonville, Galop (1869) | Hans Christian Lumbye, Tivoli Symphony Orchestra | D Major | 3 | 10B | 161 BPM | ||
Gaite Parisienne (after J. Offenbach): 6. Allegro | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | E Major | 2 | 12B | 144 BPM | ||
Overture "The Italian Girl in Algiers: Overture | Gioachino Rossini, Leonard Bernstein, New York Philharmonic | C Major | 3 | 8B | 79 BPM | ||
Ballet Suite No. 3 (arr. L. Atovmyan): Waltz (The Human Comedy) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | A Major | 2 | 11B | 98 BPM | ||
Scheherazade: The princess in a palanquin | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 166 BPM | ||
Roses From The South | Johann Sebastian Strauss, London Festival Orchestra | B♭ Major | 3 | 6B | 99 BPM | ||
Merry Widow Waltz | The Vienna National Opera Orchestra | A Major | 2 | 11B | 146 BPM |
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