Hans Christian Lumbye, Tivoli Symphony Orchestra made "Salut For August Bournonville, Galop (1869)" available on December 10, 1997. The duration of Salut For August Bournonville, Galop (1869) is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Salut For August Bournonville, Galop (1869)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hans Christian Lumbye's "Lumbye: Complete Orchestral Works, Vol. 1" album is number 1 out of 16. On top of that, Hong Kong appears to be the country where this track was created. The popularity of Salut For August Bournonville, Galop (1869) is currently below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Salut For August Bournonville, Galop (1869) by Hans Christian Lumbye, Tivoli Symphony Orchestra to be Vivace (lively and fast) because the track has a tempo of 161 BPM, a half-time of 80BPM, and a double-time of 322 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Introduktion | Simon Kvamm, Troels Gustavsen, Tivoli Symphony Orchestra | D Minor | 1 | 7A | 73 BPM | ||
Symphony No. 9 In E Minor, Op. 95, B. 178, "From The New World": II. Largo | Slovak Philharmonic, Antonín Dvořák | D♭ Major | 0 | 3B | 77 BPM | ||
Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | ||
Elverskud (Elf-King's Daughter), Op. 30: First Part: III. Allegro risoluto - Allegro molto | Niels Gade, Susanne Elmark, Kirsten Dolberg, Guido Paevatalu, Morten Schuldt-Jensen, Tivoli Concert Choir, Tivoli Symphony Orchestra, Michael Schønwandt | A Major | 2 | 11B | 73 BPM | ||
Rimsky-Korsakov: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 0 | 9B | 86 BPM | ||
Gopak from Sorochinsky Fair | Modest Mussorgsky, Philharmonia Orchestra, Geoffrey Simon | G Major | 2 | 9B | 157 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: IV. La Réjouissance | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Major | 6 | 3B | 107 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Capriol Suite: 2. Pavane | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 160 BPM | ||
Der Freischütz, J. 277 / Act I: Walzer | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | A Major | 4 | 11B | 182 BPM |
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