Alessandro Stradella, Wynton Marsalis, Kathleen Battle, John Nelson, Orchestra of St. Luke's made "Sinfonia avanti il Barcheggio {Part I} in D Major for Trumpet, Strings and B.C.: 4. {Allegro - }Voice" available on April 21, 1992. With Sinfonia avanti il Barcheggio {Part I} in D Major for Trumpet, Strings and B.C.: 4. {Allegro - }Voice being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 19 out of 23 in Baroque Duet by Wynton Marsalis. Sinfonia avanti il Barcheggio {Part I} in D Major for Trumpet, Strings and B.C.: 4. {Allegro - }Voice is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Sinfonia avanti il Barcheggio {Part I} in D Major for Trumpet, Strings and B.C.: 4. {Allegro - }Voice by Alessandro Stradella, Wynton Marsalis, Kathleen Battle, John Nelson, Orchestra of St. Luke's is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in C Minor, Op. 2, No. 2: III. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 57 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
King Arthur, Z. 628, Act I: No. 1, Overture | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | F Major | 0 | 7B | 112 BPM | ||
Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
Zaïde, reine de Grenade, Acte I Scène 5: Rondeau pour les Abencérages | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM | ||
Dies iræ, S. 31: Dies iræ | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Major | 2 | 1B | 91 BPM | ||
Airs for the Autumn: Belvedere: II. Non presto: Allegro | James Oswald, The Broadside Band | F♯ Minor | 3 | 11A | 99 BPM | ||
Ouverture a 7 concertanti in F Major - 2 Violini, 2 Oboe, Viola, Fagotto, Basso Continuo: Grave - Allegro - Grave: Grave - Allegro - Grave | Jan Dismas Zelenka, Il Fondamento, Paul Dombrecht | B Major | 3 | 1B | 121 BPM | ||
Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Allegro (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 116 BPM | ||
La Doriclea, Atto Secondo Scena 9: Taccio la fiamma a chi purtroppo adoro? (Fidalbo, Lindoro) | Alessandro Stradella, Xavier Sabata, Emőke Baráth, Il Pomo D'oro, Andrea De Carlo | F Major | 2 | 7B | 90 BPM |
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