Alessandro Stradella, Xavier Sabata, Emőke Baráth, Il Pomo D'oro, Andrea De Carlo's 'La Doriclea, Atto Secondo Scena 9: Taccio la fiamma a chi purtroppo adoro? (Fidalbo, Lindoro)' came out on November 2, 2018. With La Doriclea, Atto Secondo Scena 9: Taccio la fiamma a chi purtroppo adoro? (Fidalbo, Lindoro) being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 122 in the song's album "Stradella: La Doriclea". In this album, this song's track order is #26. Furthermore, we believe that the track originated from France. In terms of popularity, La Doriclea, Atto Secondo Scena 9: Taccio la fiamma a chi purtroppo adoro? (Fidalbo, Lindoro) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With La Doriclea, Atto Secondo Scena 9: Taccio la fiamma a chi purtroppo adoro? (Fidalbo, Lindoro) by Alessandro Stradella, Xavier Sabata, Emőke Baráth, Il Pomo D'oro, Andrea De Carlo having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mondonville: In exitu Israel: II. Chœur. "Mare vidit" | Jean-Joseph Cassanéa De Mondonville, Emmanuelle Haïm | F Major | 2 | 7B | 119 BPM | ||
Suitte en Trio No. 5 in G Major, Op. 1: V. Gigue | Louis-Antoine Dornel, Musica Barocca | D♭ Major | 1 | 3B | 176 BPM | ||
Maddalena ai piedi di Cristo: No. 2 Aria Amor Terreno "Dormi, o cara, e formi il sonno" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Bernarda Fink | D♭ Major | 1 | 3B | 78 BPM | ||
La morte del cor penitente, Pt. 1: Sinfonia | Giovanni Legrenzi, Sonatori de la Gioiosa Marca | C Minor | 1 | 5A | 192 BPM | ||
18 Sonatas in 1, 2, 3 Parts: Sonata No. 2 in D Major | Giovanni Battista Fontana, Daniele Caminiti, Marcin Świątkiewicz, Rachel Podger | D♭ Major | 1 | 3B | 127 BPM | ||
In convertendo Dominus | Sébastien de Brossard, Ensemble Baroque De Limoges, Christophe Coin | A Major | 2 | 11B | 151 BPM | ||
Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): V. Giga (Allegro) | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | F Minor | 0 | 4A | 124 BPM | ||
Konzert für zwei Flöten, Streicher und Cembalo, RV 533 | Musici di San Marco, Alberto Lizzio | F♯ Major | 1 | 2B | 115 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM |
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