"Piano Concerto, Op. 42: I. Andante" by Arnold Schoenberg, Glenn Gould, Robert Craft, CBC Symphony Orchestra was released on 1959. With this song being about 5 minutes long, at 4:52, "Piano Concerto, Op. 42: I. Andante" by Arnold Schoenberg, Glenn Gould, Robert Craft, CBC Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Arnold Schoenberg, Glenn Gould's "Glenn Gould plays Schoenberg: Klavierstücke opp. 11, 19, 23, 33; Piano Suite op. 25; Piano Concerto op. 42; Fantasy for Violin & Piano op. 47; Ode to Napoleon Buonaparte op. 41; Lieder opp. 1; 2; 3; 6; 12; 14; 15; 48" album is number 1 out of 72. In terms of popularity, Piano Concerto, Op. 42: I. Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto, Op. 42: I. Andante by Arnold Schoenberg, Glenn Gould, Robert Craft, CBC Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Le martyre de saint Sébastien, Fragments symphoniques, L. 124: No. 1, La cour de lys | Claude Debussy, Esa-Pekka Salonen | A♭ Minor | 0 | 1A | 140 BPM | ||
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts | Charles Ives, Marc-André Hamelin | E♭ Major | 0 | 5B | 72 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
D'un vieux jardin | Lili Boulanger, Emile Naoumoff | D Major | 0 | 10B | 83 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Schoenberg: 5 Orchestral Pieces, Op. 16: No. 3 Farben (Colours) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A Major | 0 | 11B | 72 BPM | ||
Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM |
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