Giovanni Gabrieli, Canadian Brass made "Canzona prima a 5" available on December 5, 1994. The duration of Canzona prima a 5 is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Canzona prima a 5's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Renaissance Men". In this album, this song's track order is #24. Based on our statistics, Canzona prima a 5's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Canzona prima a 5 by Giovanni Gabrieli, Canadian Brass having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Versicle/Response: Deus in adjutorium/Domine in adiuvandum | Claudio Monteverdi, Choir Of The Enlightenment, Eamonn Dougan, Robert Howarth, Orchestra of the Age of Enlightenment | E♭ Major | 1 | 5B | 82 BPM | ||
Misere mei Deus | Alberto Turco, Cantarte Regensburg | G Minor | 0 | 6A | 131 BPM | ||
Matthaus-Passion, SWV 479: Introitus | Heinrich Schütz, Julian Podger, Jakob Bloch Jespersen, Ars Nova Copenhagen, Paul Hillier | C Major | 2 | 8B | 86 BPM | ||
Poulenc: Salve Regina | Francis Poulenc, The Sixteen, Harry Christophers | C Major | 2 | 8B | 86 BPM | ||
Gesualdo: Ave, Dulcissima Maria | Carlo Gesualdo, Peter Phillips, The Tallis Scholars | F Major | 1 | 7B | 71 BPM | ||
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
Missa Quadragesimalis, MH 552: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | E Major | 0 | 12B | 84 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Good Friday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | A♭ Minor | 0 | 1A | 84 BPM | ||
Jubilate Deo omnis terra (a 10), C65 | Giovanni Gabrieli, His Majestys Sagbutts & Cornetts, Stephen Cleobury | F Major | 1 | 7B | 135 BPM | ||
Hosanna to the Son of David | Thomas Weelkes, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | B♭ Minor | 2 | 3A | 132 BPM |
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