"Gesualdo: Ave, Dulcissima Maria" by Carlo Gesualdo, Peter Phillips, The Tallis Scholars was released on August 28, 2015. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 59 in the song's album "Perfect Polyphony". In this album, this song's track order is #16. Gesualdo: Ave, Dulcissima Maria is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gesualdo: Ave, Dulcissima Maria by Carlo Gesualdo, Peter Phillips, The Tallis Scholars having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat in A Major | Herbert Sumsion, Chichester Cathedral Choir, James Thomas, Alan Thurlow | F♯ Minor | 0 | 11A | 137 BPM | ||
Missa super mon coeur se recomande: Sanctus | Philippe de Monte, Ensemble Freiberger Dom-Music, Chordae Freybergensis, Albrecht Koch | D♭ Major | 1 | 3B | 86 BPM | ||
Palestrina: Missa Brevis - 12. Agnus Dei 1 | Giovanni Pierluigi da Palestrina, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 85 BPM | ||
Missa pro defunctis: II. Kyrie | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 138 BPM | ||
Nella partita | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 114 BPM | ||
Palestrina: Missa Papae Marcelli - 13. Agnus Dei 1 | Giovanni Pierluigi da Palestrina, Peter Phillips, The Tallis Scholars | B Major | 1 | 1B | 86 BPM | ||
Domine ad adjuvandum | Jacobus Gallus, Pro Musica, Szabó Dénes | E♭ Major | 1 | 5B | 136 BPM | ||
Nunc Dimittis in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 0 | 6B | 135 BPM | ||
Colla iugo subdere - Bona condit cetera - Libera me, Domine (Motette) | Philippe de Vitry, Sequentia | C Major | 1 | 8B | 81 BPM | ||
Lord, for Thy Tender Mercy's Sake | Richard Farrant, Westminster Kantorei, Amanda Quist | A♭ Major | 1 | 4B | 77 BPM |
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