Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner's 'Holberg Suite, Op.40: 2. Sarabande (Andante)' came out on January 1, 1970. With this song being about 5 minutes long, at 4:32, "Holberg Suite, Op.40: 2. Sarabande (Andante)" by Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 14 in Dvorák / Grieg / Tchaikovsky: String Serenades by Academy of St. Martin in the Fields, Sir Neville Marriner, Antonín Dvořák, Edvard Grieg, Pyotr Ilyich Tchaikovsky. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Holberg Suite, Op.40: 2. Sarabande (Andante)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Holberg Suite, Op.40: 2. Sarabande (Andante) by Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner is Allegro (fast, quick, and bright), since this song has a tempo of 147 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Ancient Airs And Dances, Suite No.3, [P. 172]: 2. Arie di corte | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 1 | 6A | 90 BPM | ||
Concerto Grosso in E Minor, Op. 6, No. 3, HWV 321: IV. Polonaise: Andante | George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown | G Major | 1 | 9B | 111 BPM | ||
Holberg Suite, opus 40:Gavotte (Allegretto)-Musette(Poco piu mosso) -Gavotte | Academy of St. Martin in the Fields | G Major | 0 | 9B | 80 BPM | ||
Klid, Op. 68, No. 5, B. 182, "Silent Woods": Klid (Silent Woods), Op. 68, No. 5, B. 182 | Antonín Dvořák, Dmitry Yablonsky, Russian Philharmonic Orchestra | B Minor | 1 | 10A | 82 BPM | ||
Handel: Water Music Suite No. 1, HWV 348: Allegro | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 3 | 7B | 131 BPM | ||
Symphony No. 1 in G Minor: III. Scherzo: Allegro non troppo - moderato assai | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | A Minor | 2 | 8A | 110 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18, "Scottish": 2. Vivace non troppo - Live | Felix Mendelssohn, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 2 | 7B | 129 BPM | ||
Symphony No. 3 in C Minor, Op. 78, R. 176 "Organ Symphony": IIa. Allegro moderato - Presto - Allegro moderato | Camille Saint-Saëns, Gaston Litaize, Chicago Symphony Orchestra, Daniel Barenboim | D♭ Major | 1 | 3B | 110 BPM |
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