- BPM
- 90
- Key
- G Minor
- Camelot
- 6A
Ancient Airs And Dances, Suite No.3, [P. 172]: 2. Arie di corte - Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa Information
- Acousticness
- 96%
- Danceability
- 16%
- Energy
- 6%
- Instrumentalness
- 91%
- Liveness
- 11%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 18%
- Popularity
- 12%
- Loudness
- -20.632 dB
Summary
"Ancient Airs And Dances, Suite No.3, [P. 172]: 2. Arie di corte" by Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa had its release date on January 1, 1979. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Respighi: Ancient Airs and Dances". In this album, this song's track order is #10. In terms of popularity, Ancient Airs And Dances, Suite No.3, [P. 172]: 2. Arie di corte is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Ancient Airs And Dances, Suite No.3, [P. 172]: 2. Arie di corte BPM
With Ancient Airs And Dances, Suite No.3, [P. 172]: 2. Arie di corte by Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
Ancient Airs And Dances, Suite No.3, [P. 172]: 2. Arie di corte Key
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Romance for Cello and Piano | Frederick Delius, Yo-Yo Ma, Kathryn Stott | B Major | 0 | 1B | 66 BPM | |
 | Pelleas et Melisande, Op. 80 (arr. C. Koechlin): III. Andante moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | |
 | 6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | |
 | Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | |
 | Nocturnes n°7 en mi majeur | Francis Poulenc, Alexandre Tharaud | E♭ Major | 1 | 5B | 87 BPM | |
 | Prelude In B Minor Opus 104a No.2 | Felix Mendelssohn, Bertrand Chamayou | B Minor | 3 | 10A | 81 BPM | |
 | Nocturne No. 6 in G Minor, Op. 15 No. 3 | Frédéric Chopin, Daniel Barenboim | D Minor | 0 | 7A | 132 BPM | |
 | Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | |
 | African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | C Major | 0 | 8B | 130 BPM | |
 | 6 Studies in English Folksong (Version for Cello & Piano): No. 1, Adagio "Lovely on the Water" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E Minor | 0 | 9A | 69 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records