"Орлеанская дева, действие II: No. 9, Антракт" by Gennady Rozhdestvensky, Геннадий Рождественский, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks, Большой симфонический оркестр Всесоюзного радио и Центрального телевидения had its release date on October 19, 2018. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Орлеанская дева, действие II: No. 9, Антракт's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in Чайковский: Орлеанская дева, so we believe that "Орлеанская дева, действие II: No. 9, Антракт" is a single. Based on our statistics, Орлеанская дева, действие II: No. 9, Антракт's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Орлеанская дева, действие II: No. 9, Антракт by Gennady Rozhdestvensky, Геннадий Рождественский, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks, Большой симфонический оркестр Всесоюзного радио и Центрального телевидения is Allegro (fast, quick, and bright), since this song has a tempo of 152 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
Symphonie Fantastique, Op.14, H 48: 5b. Songe d'une nuit du Sabbat - Dies irae | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | G Minor | 1 | 6A | 63 BPM | ||
Balakirev : Islamey | Mily Balakirev, Boris Berezovsky | D Major | 2 | 10B | 73 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Melody in F, Op.3, No.1 - Arr. G. Saborow | Anton Rubinstein, Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch | F Major | 2 | 7B | 85 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Barcarolle | London Philharmonic Orchestra | D Major | 1 | 10B | 80 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
Petite Suite (Orchestrated by Glazunov): VI. Serenade | Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra | D Major | 0 | 10B | 179 BPM | ||
Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, David Oistrakh, Gennady Rozhdestvensky, Moscow Philharmonic Orchestra | C Major | 1 | 8B | 87 BPM |