"ストラヴィンスキー(G.M.デューカー編曲) : バレエ組曲「火の鳥」1919年版 - 魔王カスチェイの踊り" by Igor Stravinsky, Guy M, Duker, Shizuo ''Z'' Kuwahara, 大阪市音楽団 was released on February 25, 2015. With this song being about 5 minutes long, at 4:54, "ストラヴィンスキー(G.M.デューカー編曲) : バレエ組曲「火の鳥」1919年版 - 魔王カスチェイの踊り" by Igor Stravinsky, Guy M, Duker, Shizuo ''Z'' Kuwahara, 大阪市音楽団 is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 火の鳥, so we believe that "ストラヴィンスキー(G.M.デューカー編曲) : バレエ組曲「火の鳥」1919年版 - 魔王カスチェイの踊り" is a single. ストラヴィンスキー(G.M.デューカー編曲) : バレエ組曲「火の鳥」1919年版 - 魔王カスチェイの踊り is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ストラヴィンスキー(G.M.デューカー編曲) : バレエ組曲「火の鳥」1919年版 - 魔王カスチェイの踊り by Igor Stravinsky, Guy M, Duker, Shizuo ''Z'' Kuwahara, 大阪市音楽団 is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fontane di Roma, P. 106: I. La fontana di Valle Giulia all'alba | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli | F♯ Major | 2 | 2B | 73 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVIII. Vivo | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Requiem Canticles: Libera me | Igor Stravinsky, Sally Burgess, Roderick Williams, Simon Joly Chorale, Philharmonia Orchestra, Robert Craft | G Minor | 1 | 6A | 65 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 8, Dance of the Polovtsian Maidens | Alexander Borodin, Leonard Bernstein, New York Philharmonic | F Major | 2 | 7B | 99 BPM | ||
Symphonic Metamorphoses on Themes of Carl Maria von Weber: II. Turandot, Scherzo. Moderato - Lebhaft | Paul Hindemith, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 92 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Introduction | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 69 BPM | ||
Gayane Suite No. 3: I. The Hunt - Andante | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | D Major | 2 | 10B | 92 BPM | ||
Les Noces, Scene 1: The Tresses (At the Bride's House) [the Wedding] | Susan Bickley, Martyn Hill, Alan Ewing, Alison Wells, Simon Joly Chorale, International Piano Quartet, Tristan Fry Percussion Ensemble, Robert Craft | E Major | 2 | 12B | 118 BPM | ||
Sextet, FP 100: Allegro vivace | Francis Poulenc, Philippe Bernold, Olivier Doise, Hervé Joulain, Ronald Van Spaendonck, Alexandre Tharaud, Laurent Lefèvre | A Minor | 1 | 8A | 140 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM |
Section: 0.6580402851104736
End: 0.6622965335845947