Paul Hindemith, Leonard Bernstein, New York Philharmonic's 'Symphonic Metamorphoses on Themes of Carl Maria von Weber: II. Turandot, Scherzo. Moderato - Lebhaft' came out on November 2, 2018. Since Symphonic Metamorphoses on Themes of Carl Maria von Weber: II. Turandot, Scherzo. Moderato - Lebhaft is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Leonard Bernstein's "Hindemith: Symphonic Metamorphoses & Concert Music, Op. 50 - Honegger: Pacific 231 & Rugby & Pastorale d'été" album is number 2 out of 13. On top of that, United States appears to be the country where this track was created. In terms of popularity, Symphonic Metamorphoses on Themes of Carl Maria von Weber: II. Turandot, Scherzo. Moderato - Lebhaft is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Symphonic Metamorphoses on Themes of Carl Maria von Weber: II. Turandot, Scherzo. Moderato - Lebhaft by Paul Hindemith, Leonard Bernstein, New York Philharmonic to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 74 BPM | ||
Printemps, L. 61: II. Modéré | Claude Debussy, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | F♯ Minor | 2 | 11A | 103 BPM | ||
Caucasian Sketches, Op. 10 (Remastered): IV. Procession of the Sardar | Mikhail Ippolitov-Ivanov, Leonard Bernstein, New York Philharmonic | A Major | 4 | 11B | 105 BPM | ||
The Blue Danube Waltz, Op. 314 | Johann Strauss II, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 84 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": IV. Allegro con fuoco | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 133 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | ||
Aladdin Suite, Op. 34, FS 89: IV. Chinese Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | E Minor | 1 | 9A | 95 BPM | ||
Symphony No. 5 in B-Flat Major, Op. 100: II. Allegro marcato | Sergei Prokofiev, Leonard Bernstein, Israel Philharmonic Orchestra | G Major | 0 | 9B | 127 BPM | ||
Khovantchina: Dawn Over the Moscow River (Prelude to Act I) [Remastered] | Modest Mussorgsky, Leonard Bernstein, New York Philharmonic | F♯ Minor | 0 | 11A | 77 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Zubin Mehta, New York Philharmonic, Isaac Stern, Itzhak Perlman | F Major | 2 | 7B | 83 BPM |
Section: 1.2820930480957031
End: 1.28521728515625