Giuseppe Verdi, Franco de Grandis, Goran Simic, Magda Nádor, Luciano Pavarotti, Vienna State Opera Chorus, Vienna State Opera Orchestra, Claudio Abbado's 'Un ballo in maschera, Act I: Act I Scene 2: Su profetssa, monta il trepie - Di' tu se fidele (Dehorn, Ribbing, Oscar, Gustavo, Chorus)' came out on August 1, 2016. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: Un ballo in maschera (Live) by Giuseppe Verdi, Luciano Pavarotti, Piero Cappuccilli, Vienna State Opera Orchestra, Claudio Abbado. The song's track number on the album is #11 out of 27 tracks. Based on our data, Germany was the country where this track was produced or recorded. The popularity of Un ballo in maschera, Act I: Act I Scene 2: Su profetssa, monta il trepie - Di' tu se fidele (Dehorn, Ribbing, Oscar, Gustavo, Chorus) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Un ballo in maschera, Act I: Act I Scene 2: Su profetssa, monta il trepie - Di' tu se fidele (Dehorn, Ribbing, Oscar, Gustavo, Chorus) by Giuseppe Verdi, Franco de Grandis, Goran Simic, Magda Nádor, Luciano Pavarotti, Vienna State Opera Chorus, Vienna State Opera Orchestra, Claudio Abbado has a tempo of 169 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Un ballo in maschera, Act I: Act I Scene 2: Su profetssa, monta il trepie - Di' tu se fidele (Dehorn, Ribbing, Oscar, Gustavo, Chorus) being at 169 BPM, the half-time would be 84 BPM with a double-time of 338 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 109 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Les Pecheurs des Perles / Act 1: "Au fond du temple saint" | Georges Bizet, Luciano Pavarotti, Nicolai Ghiaurov, National Philharmonic Orchestra, Robin Stapleton | E♭ Major | 2 | 5B | 78 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | E Major | 3 | 12B | 98 BPM | ||
Lohengrin: Treulich gefuhrt ziehet dahin | John Horton Murray, Margaret Jane Wray, Bolshoi Theatre Chorus, Russian State Symphony Orchestra, John McGlinn | B♭ Major | 0 | 6B | 70 BPM | ||
Falstaff: Act I: Falstaff! Ola! | Giuseppe Verdi, Anna Bonitatibus, Maurizio Comencini, Alessandro Cosentino, Franco de Grandis, Dilber, Enrico Facini, Julia Faulkner, Anna Maria di Micco, Roberto Servile, Domenico Trimarchi, Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Will Humburg | A Major | 1 | 11B | 141 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Erster Akt: - 's ist seltsam! Er ist es, dessen wonnig Bild [È Strano! - Ah, Fors' È Lui Che L'Anima] (Violetta) | Francesco Maria Piave, Giuseppe Verdi, Melitta Muszely /Orchester der Deutschen Staatsoper Berlin/Wilhelm Schüchter, Wilhelm Schuechter, Wilhelm Schüchter, Orchester Der Deutschen Staatsoper Berlin | F Major | 1 | 7B | 180 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM |
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