"Les Pecheurs des Perles / Act 1: "Au fond du temple saint"" by Georges Bizet, Luciano Pavarotti, Nicolai Ghiaurov, National Philharmonic Orchestra, Robin Stapleton was released on January 1, 2013. With this song being about 5 minutes long, at 5:25, "Les Pecheurs des Perles / Act 1: "Au fond du temple saint"" by Georges Bizet, Luciano Pavarotti, Nicolai Ghiaurov, National Philharmonic Orchestra, Robin Stapleton is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 53 in the song's album "Pavarotti The 50 Greatest Tracks". In this album, this song's track order is #8. Les Pecheurs des Perles / Act 1: "Au fond du temple saint" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Pecheurs des Perles / Act 1: "Au fond du temple saint" by Georges Bizet, Luciano Pavarotti, Nicolai Ghiaurov, National Philharmonic Orchestra, Robin Stapleton having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
William Tell / Act 4: "Ah.. non mi lasciar, o speme di vendetta" - "O muto asil del pianto" | Gioachino Rossini, Luciano Pavarotti, Wiener Opernchor, Wiener Opernorchester, Nicola Rescigno | C Minor | 3 | 5A | 78 BPM | ||
Che farò senza Euridice? | Christoph Willibald Gluck, Vesselina Kasarova, Friedrich Haider | B♭ Major | 2 | 6B | 95 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | ||
Nel blu, dipinto di blu (Volare) | Domenico Modugno, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Henry Mancini | B Minor | 2 | 10A | 133 BPM | ||
Carmen, WD 31 / Act 1: Bizet: Carmen, WD 31: Près des remparts de Séville | Georges Bizet, Gaëlle Arquez, Orchestre National Bordeaux Aquitaine, Paul Daniel | D Major | 0 | 10B | 175 BPM | ||
Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | A♭ Major | 1 | 4B | 86 BPM | ||
Core 'ngrato (Arr. Chiaramello) | Salvatore Cardillo, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | E♭ Major | 3 | 5B | 84 BPM | ||
L'amour est un oiseau rebelle (Habanera) | Georges Bizet, Montserrat Caballé, Josè Collado | D Major | 1 | 10B | 124 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
Ai giocchi addio | Nino Rota, Luciano Pavarotti, Andrea Griminelli, The London Film Orchestra, Gavyn Wright | F Major | 3 | 7B | 171 BPM |
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