"Tale Of The Buffoon, "Chout": Concert Suite From Ballet, Op. 21a: 7 Entry Of The Merchant and His Welcome" by Gennady Rozhdestvensky, Grand Symphony Orchestra of Radio and Television was released on November 30, 2006. With this song being about 5 minutes long, at 4:51, "Tale Of The Buffoon, "Chout": Concert Suite From Ballet, Op. 21a: 7 Entry Of The Merchant and His Welcome" by Gennady Rozhdestvensky, Grand Symphony Orchestra of Radio and Television is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "Prokofiev: Tale Of The Buffoon "Chout," Autumnal Sketch, Waltz Suite". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, Tale Of The Buffoon, "Chout": Concert Suite From Ballet, Op. 21a: 7 Entry Of The Merchant and His Welcome's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tale Of The Buffoon, "Chout": Concert Suite From Ballet, Op. 21a: 7 Entry Of The Merchant and His Welcome by Gennady Rozhdestvensky, Grand Symphony Orchestra of Radio and Television having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
Etudes: XII. Mazurka | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | A Minor | 3 | 8A | 141 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
The Wand of Youth (Music to a Child's Play), Suite No.1, Op.1a: II. Serenade (Andantino) | Edward Elgar, Hallé, Sir Mark Elder | F Major | 0 | 7B | 65 BPM | ||
Symphony No. 2 in B Minor: IV. Finale | Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra | D Major | 1 | 10B | 129 BPM | ||
Carmen Fantasy, Op. 25: IV. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | F Minor | 2 | 4A | 84 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 5. Rondo (Allegro) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 83 BPM | ||
Млада: Вступление | Yevgeny Svetlanov, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks, Большой симфонический оркестр Всесоюзного радио и Центрального телевидения | F Major | 0 | 7B | 101 BPM |
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