On January 1, 1995, the song "Partita No. 1 in B Flat Major, BWV 825: IV. Sarabande" was released by Johann Sebastian Bach, Maria João Pires. With this song being about 5 minutes long, at 5:07, "Partita No. 1 in B Flat Major, BWV 825: IV. Sarabande" by Johann Sebastian Bach, Maria João Pires is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 23 in Bach, J.S.: Partita No. 1; English Suite No. 3; French Suite No. 2 by Johann Sebastian Bach, Maria João Pires. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Partita No. 1 in B Flat Major, BWV 825: IV. Sarabande is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Partita No. 1 in B Flat Major, BWV 825: IV. Sarabande by Johann Sebastian Bach, Maria João Pires is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 2 Keyboards In C Major, BWV 1061: III. Vivace | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | A Minor | 3 | 8A | 98 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | ||
Symphony in D Major, Op. 2 No. 5 "St. Cecilia's Day Ode": III. Tempo di minuetto | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 152 BPM | ||
Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet (arr. W. Kempff for piano) | Wilhelm Kempff, George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 60 BPM | ||
Telemann: Tafelmusik, Pt. 1, Concerto for Flute, Violin and Cello in A Major, TWV 53:A2: I. Largo | Georg Philipp Telemann, Emmanuel Pahud, Berliner Barock Solisten, Georg Faust, Rainer Kussmaul | G Major | 0 | 9B | 119 BPM | ||
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM | ||
24 Préludes, Op. 28: No. 12 in G-Sharp Minor | Frédéric Chopin, Maria João Pires | B Major | 2 | 1B | 106 BPM | ||
Le Rossignol-en-Amour: 14ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | A Major | 0 | 11B | 65 BPM | ||
Boccherini : Cello Sonata No.7 in B flat major G8 : III Larghetto - Allegro - Larghetto | Luigi Boccherini, Anner Bylsma | A Major | 1 | 11B | 81 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM |
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