François Couperin, Iddo Bar-Shaï's 'Le Rossignol-en-Amour: 14ème ordre, 3ème livre' came out on February 25, 2013. The duration of Le Rossignol-en-Amour: 14ème ordre, 3ème livre is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Le Rossignol-en-Amour: 14ème ordre, 3ème livre's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 25 in Couperin: Les Ombres Errantes by François Couperin, Iddo Bar-Shaï. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Le Rossignol-en-Amour: 14ème ordre, 3ème livre is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Le Rossignol-en-Amour: 14ème ordre, 3ème livre by François Couperin, Iddo Bar-Shaï is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits (Melody in B minor) | Christoph Willibald Gluck, Lynn Harrell, Concertgebouw Chamber Orchestra | B Minor | 1 | 10A | 68 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Naive Music: No. 2. Nocturne | Valentin Silvestrov, Elisaveta Blumina | B♭ Major | 0 | 6B | 68 BPM | ||
Bocetos: IV. La campana de la tarde. Allegretto | Enrique Granados, Alicia de Larrocha | F Major | 0 | 7B | 129 BPM | ||
Cello Concerto in B flat, G.482: 2. Adagio non Troppo | Luigi Boccherini, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | G Minor | 1 | 6A | 90 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Il prigioniero fortunato: Sinfonia: III. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | D♭ Major | 4 | 3B | 77 BPM | ||
Rameau: Nouvelles suites de pièces de clavecin, Suite en sol: XIV. Les Sauvages | Jean-Philippe Rameau, Alexandre Tharaud | G Minor | 2 | 6A | 100 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM |
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