Luigi Boccherini, Anner Bylsma's 'Boccherini : Cello Sonata No.7 in B flat major G8 : III Larghetto - Allegro - Larghetto' came out on September 19, 2011. Since Boccherini : Cello Sonata No.7 in B flat major G8 : III Larghetto - Allegro - Larghetto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 40 Most Beautiful Cello Classics, so we believe that "Boccherini : Cello Sonata No.7 in B flat major G8 : III Larghetto - Allegro - Larghetto" is a single. Boccherini : Cello Sonata No.7 in B flat major G8 : III Larghetto - Allegro - Larghetto is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Boccherini : Cello Sonata No.7 in B flat major G8 : III Larghetto - Allegro - Larghetto by Luigi Boccherini, Anner Bylsma is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS: Cello Suite No. 1 in G Major, BWV 1007: I. Prelude | Johann Sebastian Bach, Alexander Kniazev | A Minor | 0 | 8A | 176 BPM | ||
Saint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | F Major | 2 | 7B | 122 BPM | ||
Sinfonia in E major, RV 132: II. Andante | Karoly Botvay | A Major | 0 | 11B | 79 BPM | ||
The Seven Last Words of Christ, Hob.XX:2: Sonata II "Fürwahr, ich sag' es dir" (Grave e cantabile) | Franz Joseph Haydn, Cuarteto Casals | C Minor | 0 | 5A | 77 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 2: II. Allegro | Arcangelo Corelli, Anna Holbling, Ludovit Kanta, Daniela Ruso, Quido Holbling, Capella Istropolitana | F Major | 3 | 7B | 140 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Suite for Cello and Orchestra, Op. 16: II. Sérénade (andantino) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | G Minor | 0 | 6A | 141 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: III. Largo | Pietro Locatelli, Capella Istropolitana | G Minor | 1 | 6A | 50 BPM | ||
String Quartet No. 14 in G Major, K. 387: III. Andante cantabile | Eder Quartet | C Major | 0 | 8B | 65 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.4 in C sharp minor BWV849 | Daniel Barenboim | D♭ Minor | 0 | 12A | 173 BPM |
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