"Tchaikovsky: Swan Lake, Op. 20, TH 12, Act 2: No. 10, Scene (Moderato)" by Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, John Lanchbery was released on June 2, 2008. The duration of Tchaikovsky: Swan Lake, Op. 20, TH 12, Act 2: No. 10, Scene (Moderato) is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Tchaikovsky: Swan Lake, Op. 20, TH 12, Act 2: No. 10, Scene (Moderato)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 100 Best Ballet, so we believe that "Tchaikovsky: Swan Lake, Op. 20, TH 12, Act 2: No. 10, Scene (Moderato)" is a single. Tchaikovsky: Swan Lake, Op. 20, TH 12, Act 2: No. 10, Scene (Moderato) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tchaikovsky: Swan Lake, Op. 20, TH 12, Act 2: No. 10, Scene (Moderato) by Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, John Lanchbery is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Serenade No. 5, Op. 3 | The Jane Austen Era | G Major | 1 | 9B | 95 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: 13. Dance of the Knights | Sergei Prokofiev, Orchestre Symphonique de Montréal, Charles Dutoit | A Minor | 1 | 8A | 95 BPM | ||
Swan Lake, Op. 20: Act III: Danse Napolitaine | Pyotr Ilyich Tchaikovsky, Kristjan Järvi | D Major | 0 | 10B | 81 BPM | ||
Act II: Variation Of Cupid (Minkus) | Mariinsky Orchestra | D Major | 2 | 10B | 132 BPM | ||
Scheherazade, Op. 35: No. 1, El mar y el barco de Simbad. Largo e maestoso - Allegro non troppo | Orquesta Sinfónica De Radio Ljubljana, Anton Nanut | E Major | 2 | 12B | 79 BPM | ||
The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): III. Danza pastorale: Allegro | Karoly Botvay | E Major | 1 | 12B | 140 BPM | ||
La Danza (Tarantella napoletana), S424/9 (after Gioacchino Rossini, Soirées musicale) | Franz Liszt, Tristan Pfaff | F Major | 5 | 7B | 134 BPM | ||
Waltz In A Minor | Frédéric Chopin, Catherine Manoukian | A Minor | 1 | 8A | 130 BPM | ||
La Bayadere: Variation 1: Andante | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 130 BPM |
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