"Romeo and Juliet, Op. 64 - Act 1: 13. Dance of the Knights" by Sergei Prokofiev, Orchestre Symphonique de Montréal, Charles Dutoit was released on January 1, 1991. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "Prokofiev: Romeo & Juliet (excerpts)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Romeo and Juliet, Op. 64 - Act 1: 13. Dance of the Knights is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romeo and Juliet, Op. 64 - Act 1: 13. Dance of the Knights by Sergei Prokofiev, Orchestre Symphonique de Montréal, Charles Dutoit having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky: 1812 Overture in E-Flat Major, Op. 49 (Excerpt) | Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons | E♭ Major | 6 | 5B | 110 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 110 BPM | ||
Rossini: Guillaume Tell: Overture | Gioachino Rossini, Antonio Pappano, Gabriele Gemignani, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 1 | 9B | 82 BPM | ||
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | E♭ Major | 0 | 5B | 79 BPM | ||
Zigeunerweisen, Op.20 | Pablo de Sarasate, Joshua Bell, Royal Philharmonic Orchestra, Andrew Litton | G Minor | 1 | 6A | 81 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Khachaturian: Spartacus Suite No. 2: I. Adagio of Spartacus and Phrygia | Aram Khachaturian, Yuri Temirkanov, Royal Philharmonic Orchestra | D♭ Major | 1 | 3B | 104 BPM | ||
String Quartet No. 1 in B Minor, Op. 50: I. Allegro | Sergei Prokofiev, Aurora String Quartet | G Major | 1 | 9B | 169 BPM | ||
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM |
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