Johann Sebastian Bach, Kimberly McCord, Robin Blaze, Paul Agnew, Neal Davies, Gabrieli, Paul McCreesh made "Kommt, eilet und laufet (Easter Oratorio), BWV 249 - Version: Paul McCreesh: 3. Chorus: Kommt, eilet und laufet" available on April 3, 2021. With this song being about 5 minutes long, at 5:01, "Kommt, eilet und laufet (Easter Oratorio), BWV 249 - Version: Paul McCreesh: 3. Chorus: Kommt, eilet und laufet" by Johann Sebastian Bach, Kimberly McCord, Robin Blaze, Paul Agnew, Neal Davies, Gabrieli, Paul McCreesh is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 16 out of 50 in Bach - Easter by Johann Sebastian Bach. The popularity of Kommt, eilet und laufet (Easter Oratorio), BWV 249 - Version: Paul McCreesh: 3. Chorus: Kommt, eilet und laufet is currently below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Kommt, eilet und laufet (Easter Oratorio), BWV 249 - Version: Paul McCreesh: 3. Chorus: Kommt, eilet und laufet by Johann Sebastian Bach, Kimberly McCord, Robin Blaze, Paul Agnew, Neal Davies, Gabrieli, Paul McCreesh is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Keyboard Suite No. 2 (Set I) in F Major, HWV 427: I. Adagio | George Frideric Handel, Philip Edward Fisher | D Minor | 0 | 7A | 72 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: III. Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Roderick Shaw, Gerald Hambitzer, Robert Hill, Johann Sebastian Bach | A Minor | 4 | 8A | 114 BPM | ||
Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 2. Largo | Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 0 | 4B | 75 BPM | ||
Nocturne No.19 In E Minor, Op.72 No.1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 139 BPM | ||
Sinfonia in E major, RV 132: III. Allegro | Karoly Botvay | E Major | 1 | 12B | 187 BPM | ||
Concerto for two Pianos (Harpsichords) and Orchestra in C Minor, BWV 1060: I. Allegro - Live | Johann Sebastian Bach, Anthony Paratore, Joseph Paratore, Bach Collegium München, Russell Gloyd | A Minor | 3 | 8A | 111 BPM |
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