Johann Sebastian Bach, Anthony Paratore, Joseph Paratore, Bach Collegium München, Russell Gloyd made "Concerto for two Pianos (Harpsichords) and Orchestra in C Minor, BWV 1060: I. Allegro - Live" available on June 24, 2007. With this song being about 5 minutes long, at 5:21, "Concerto for two Pianos (Harpsichords) and Orchestra in C Minor, BWV 1060: I. Allegro - Live" by Johann Sebastian Bach, Anthony Paratore, Joseph Paratore, Bach Collegium München, Russell Gloyd is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 19 in Brubeck Meets Bach (Live) by The Dave Brubeck Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Concerto for two Pianos (Harpsichords) and Orchestra in C Minor, BWV 1060: I. Allegro - Live is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Concerto for two Pianos (Harpsichords) and Orchestra in C Minor, BWV 1060: I. Allegro - Live by Johann Sebastian Bach, Anthony Paratore, Joseph Paratore, Bach Collegium München, Russell Gloyd is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ravel: Mother Goose, M. 60: III. Scene: Chinese Princess (Arr. by Peter Sadlo) | Maurice Ravel, Peter Sadlo, Joseph Paratore, Anthony Paratore | D Minor | 1 | 7A | 65 BPM | ||
Liebeslieder-Walzer, Op. 52 - Verses from "Polydora": 3. O die Frauen, o die Frauen | Johannes Brahms, Anthony Paratore, Joseph Paratore, Rundfunkchor Berlin, Robin Gritton | E Minor | 2 | 9A | 130 BPM | ||
Sonata in D Minor, Kk.141 | Domenico Scarlatti, Alexandre Tharaud | D Minor | 3 | 7A | 140 BPM | ||
16 Waltzes, Op. 39 - For Piano Duet: 1. in B | Johannes Brahms, Anthony Paratore, Joseph Paratore | E Minor | 2 | 9A | 130 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Viola da gamba Sonata in G Minor, BWV 1029 (Arr. for Cello & Piano): III. Allegro | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | A♭ Major | 0 | 4B | 84 BPM | ||
Concerto in B flat for Trumpet, Violin and Strings RV 548 (ed. Malipiero): II. Largo | Maurice André, Academy of St. Martin in the Fields, Sir Neville Marriner, Iona Brown | G Minor | 1 | 6A | 69 BPM | ||
Gavotte: Partita No.3 In E BWV 1006 | The Swingle Singers | E Major | 1 | 12B | 83 BPM | ||
Ornithological Combat of Kings: The Repose of The Condor (Andante sostenuto, quasi adagio) | Anthony Philip Heinrich, Joseph Paratore, Anthony Paratore, Christopher Keene, Syracuse Symphony Orchestra | A Major | 0 | 11B | 91 BPM | ||
Bach, JS: Goldberg Variations, BWV 988: I. Aria | Johann Sebastian Bach, Alexandre Tharaud | E♭ Major | 1 | 5B | 78 BPM |
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