- BPM
- 90
- Key
- B Minor
- Camelot
- 10A
Dido and Aeneas, Z. 626: Act I: Dido, Belinda: Whence could so much virtue spring? - Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble Information
- Acousticness
- 98%
- Danceability
- 34%
- Energy
- 4%
- Instrumentalness
- 0%
- Liveness
- 9%
- Loudness
- 64%
- Speechiness
- 8%
- Valence
- 6%
- Popularity
- 2%
- Loudness
- -21.636 dB
Summary
"Dido and Aeneas, Z. 626: Act I: Dido, Belinda: Whence could so much virtue spring?" by Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble was released on May 14, 1997. With Dido and Aeneas, Z. 626: Act I: Dido, Belinda: Whence could so much virtue spring? being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #6. In terms of popularity, Dido and Aeneas, Z. 626: Act I: Dido, Belinda: Whence could so much virtue spring? is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Dido and Aeneas, Z. 626: Act I: Dido, Belinda: Whence could so much virtue spring? BPM
With Dido and Aeneas, Z. 626: Act I: Dido, Belinda: Whence could so much virtue spring? by Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
Dido and Aeneas, Z. 626: Act I: Dido, Belinda: Whence could so much virtue spring? Key
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | |
 | Oboe Concerto in G Minor: Allegro | Giovanni Benedetto Platti, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 2 | 6A | 104 BPM | |
 | Concerto in D Minor for Two Violins, BWV 1043: Concerto in D Minor for Two Violins, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Andrew Manze, Academy of Ancient Music | E Major | 2 | 12B | 87 BPM | |
 | Symphony for Flute, Oboe, Horn and Strings in D Major: II. Andantino | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | B♭ Major | 0 | 6B | 0 BPM | |
 | Dido and Aeneas / Act 1: "Ah! Belinda, I am prest with torment" | Henry Purcell, Jessye Norman, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | C Minor | 0 | 5A | 101 BPM | |
 | Concerto For 4 Harpsichords In A Minor, BWV 1065: III. Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Roderick Shaw, Gerald Hambitzer, Robert Hill, Johann Sebastian Bach | A Minor | 4 | 8A | 114 BPM | |
 | Suite in C Minor, BWV 997 (Arr. for Lute & Recorder): IV. Gigue & Double | Johann Sebastian Bach, Dorothee Oberlinger, Edin Karamazov | B Minor | 1 | 10A | 128 BPM | |
 | Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | |
 | Chamber Sonata No. 4 in G Minor: I. Grave | Élisabeth Jacquet de La Guerre, Musica Fiorita | D♭ Minor | 2 | 12A | 84 BPM | |
 | Oboe Concerto in D Minor, Op. 8, No. 9, RV 454: II. Largo | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6206943988800049
End: 0.6247475147247314