Thomas Weelkes, Canadian Brass made "Renaissance Suite: In the Pride of May" available on December 5, 1994. The duration of Renaissance Suite: In the Pride of May is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Renaissance Suite: In the Pride of May's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Renaissance Men". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, Renaissance Suite: In the Pride of May is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Renaissance Suite: In the Pride of May by Thomas Weelkes, Canadian Brass having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Communion Service in C Major: Agnus Dei | John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice | A Minor | 0 | 8A | 84 BPM | ||
Missa Sanctae Crucis, MH 56: Gloria | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | G Major | 3 | 9B | 121 BPM | ||
Abendlied Op. 693 | Calmus Ensemble | E♭ Major | 1 | 5B | 80 BPM | ||
Greatest Day (arr. J. Wikeley for choir) | Jason Orange, Chantage, James Davey | D♭ Major | 1 | 3B | 78 BPM | ||
Chi la Gagliarda | Donato Baldissera, Amarcord | E Minor | 0 | 9A | 81 BPM | ||
Burial Service: I. Man that is Born of a Woman | Thomas Morley, Michael Bawtree, Annabell McLauchlan, David Rowland | G Minor | 0 | 6A | 98 BPM | ||
Missa ex B: XIII. Genitum, non factum - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | B♭ Major | 2 | 6B | 101 BPM | ||
Geistliche Chormusik: Die Himmel erzählen die Ehre Gottes, SWV 386 | Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe | C Major | 1 | 8B | 143 BPM | ||
Isorhythmic Motets: Ecclesie militantis - Sanctorium arbitrio - Bella canunt gentes | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | D Minor | 2 | 7A | 82 BPM | ||
6 Chansons: No. 1. La biche | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | D♭ Minor | 1 | 12A | 102 BPM |
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