- BPM
- 170
- Key
- B♭ Minor
- Camelot
- 3A
Pathétique Sonata II - Ludwig van Beethoven, Klazz Brothers, Cuba Percussion Information
- Acousticness
- 92%
- Danceability
- 55%
- Energy
- 25%
- Instrumentalness
- 84%
- Liveness
- 11%
- Loudness
- 59%
- Speechiness
- 4%
- Valence
- 34%
- Popularity
- 8%
- Loudness
- -24.373 dB
Summary
Ludwig van Beethoven, Klazz Brothers, Cuba Percussion's 'Pathétique Sonata II' came out on October 25, 2019. With this song being about 5 minutes long, at 5:11, "Pathétique Sonata II" by Ludwig van Beethoven, Klazz Brothers, Cuba Percussion is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 14 in Beethoven Meets Cuba by Ludwig van Beethoven, Klazz Brothers, Cuba Percussion. The popularity of Pathétique Sonata II is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Pathétique Sonata II BPM
The tempo marking of Pathétique Sonata II by Ludwig van Beethoven, Klazz Brothers, Cuba Percussion is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
Pathétique Sonata II Key
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | |
 | Concerto Grosso In D Major, Op. 6, No. 1 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | A Major | 1 | 11B | 81 BPM | |
 | The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | |
 | Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 3 | 11B | 118 BPM | |
 | Schwanengesang, D. 957: Ständchen "Leise flehen meine Lieder" | Franz Schubert, Mischa Maisky, Daria Hovora | D Minor | 0 | 7A | 179 BPM | |
 | Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | |
 | Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | |
 | Ravel: Gaspard de la nuit, M. 55: I. Ondine | Maurice Ravel, Boris Berezovsky | F♯ Major | 0 | 2B | 138 BPM | |
 | The Well-Tempered Clavier: Book 1, BWV 846-869: I. Prelude in C Major, BWV 846 | Lang Lang | C Major | 1 | 8B | 134 BPM | |
 | Concerto in D Minor, Op.7, No.4: I. Adagio | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Minor | 0 | 12A | 75 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7167782783508301
End: 0.7216517925262451