"The Art of Fugue, BWV 1080: Contrapunctus 3" by Johann Sebastian Bach, Keller Quartett was released on 1988. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Johann Sebastian Bach, Keller Quartett's "J.S Bach - Die Kunst Der Fuge" album is number 3 out of 20. On top of that, Germany appears to be the country where this track was created. The Art of Fugue, BWV 1080: Contrapunctus 3 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Art of Fugue, BWV 1080: Contrapunctus 3 by Johann Sebastian Bach, Keller Quartett to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Johannes-Passion, BWV 245.1: 18. Recitativo: Da sprach Pilatus zu ihm | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Tobias Berndt, Daniel Ochoa | D Major | 2 | 10B | 172 BPM | ||
Concerto for Two Violins in D Minor, BWV 1043: I. Vivace (arr. for violin and piano, Violin I only) | Anonymous, Johann Sebastian Bach, Takako Nishizaki, Terence Dennis | D Minor | 1 | 7A | 81 BPM | ||
Cello Suite No. 3, Op. 87: IV. Barcarolla | Benjamin Britten, Anastasia Kobekina | F♯ Major | 2 | 2B | 142 BPM | ||
Concerto For 2 Keyboards In C Major, BWV 1061: II. Adagio | Cologne Chamber Orchestra, Gerald Hambitzer, Christoph Anselm Noll, Johann Sebastian Bach | A Minor | 1 | 8A | 81 BPM | ||
Flute Sonata in A Minor, Wq. 132, H. 562 (arr. for oboe): III. Allegro | Anonymous, Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | A Minor | 1 | 8A | 106 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Sonata No. 46, Hob. XVI:31: Sonata No. 46, Hob. XVI:31: I. Moderato | Franz Joseph Haydn, Jean-Efflam Bavouzet | E Major | 1 | 12B | 78 BPM | ||
The Art of Fugue, BWV 1080: Contrapunctus 6 a 4 in Stylo Francese | Johann Sebastian Bach, Keller Quartett | D Minor | 1 | 7A | 76 BPM | ||
Rameau: Pièces de clavecin (1724), Suite in D Major, RCT 3: No. 1 Les Tendres Plaintes - Rondeau | Jean-Philippe Rameau, Jean Rondeau | C Minor | 3 | 5A | 87 BPM | ||
Sonata for Violin and Piano in B minor, BWV 1014: Adagio | Johann Sebastian Bach, Frank Peter Zimmermann | D♭ Major | 4 | 3B | 99 BPM |
Section: 0.572676420211792
End: 0.5763463973999023