Benjamin Britten, Anastasia Kobekina made "Cello Suite No. 3, Op. 87: IV. Barcarolla" available on February 2, 2024. With Cello Suite No. 3, Op. 87: IV. Barcarolla being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Venice by Anastasia Kobekina. The song's track number on the album is #10 out of 23 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Cello Suite No. 3, Op. 87: IV. Barcarolla's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Cello Suite No. 3, Op. 87: IV. Barcarolla by Benjamin Britten, Anastasia Kobekina has a tempo of 142 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Cello Suite No. 3, Op. 87: IV. Barcarolla being at 142 BPM, the half-time would be 71 BPM with a double-time of 284 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 3/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces de viole, Book 3, Suite in A Minor: VII. Gavotte | Marin Marais, Jean-Guihen Queyras, Alexandre Tharaud | A Minor | 1 | 8A | 90 BPM | ||
Aria and 6 Variations in G Minor, P.196: VII. Variatio 6 | Johann Pachelbel, Simone Stella | G Major | 2 | 9B | 197 BPM | ||
Soledad (Arr. for Violin & String Orchestra by Ken Selden) | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | E Minor | 1 | 9A | 80 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
Concerto Grosso No. 6 in D Major (after D. Scarlatti): III. Adagio | Charles Avison, I Musici | D Minor | 0 | 7A | 168 BPM | ||
Britten: Cello Suite No. 1, Op. 72: I. Canto primo | Benjamin Britten, Truls Mørk | G Major | 1 | 9B | 132 BPM | ||
Caprice No. 1 in C Minor | Joseph-Marie-Clement Dall'Abaco, Hanna Salzenstein | D♭ Minor | 6 | 12A | 157 BPM | ||
Violin Sonata in F Major, Op. 5 No. 4: IV. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Variations on a Theme of Frank Bridge, Op. 10: Introduction and Theme | Benjamin Britten, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 109 BPM | ||
Sonata in D Minor for Cello & Piano, L.135: 3. Finale (Animé) | Claude Debussy, Mstislav Rostropovich, Benjamin Britten | G Major | 0 | 9B | 66 BPM |
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