"The Art of Fugue, BWV 1080: Contrapunctus 6 a 4 in Stylo Francese" by Johann Sebastian Bach, Keller Quartett was released on 1988. The duration of The Art of Fugue, BWV 1080: Contrapunctus 6 a 4 in Stylo Francese is about 3 minutes long, at 3:05. Based on our data, "The Art of Fugue, BWV 1080: Contrapunctus 6 a 4 in Stylo Francese" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Sebastian Bach, Keller Quartett's "J.S Bach - Die Kunst Der Fuge" album is number 6 out of 20. On top of that, Germany appears to be the country where this track was created. The Art of Fugue, BWV 1080: Contrapunctus 6 a 4 in Stylo Francese is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Art of Fugue, BWV 1080: Contrapunctus 6 a 4 in Stylo Francese by Johann Sebastian Bach, Keller Quartett to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Weinen, Klagen, Sorgen, Zagen, BWV 12: Weinen, Klagen (Chorus) | Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 1 | 10B | 73 BPM | ||
Johannes-Passion, BWV 245.1: 4. Recitativo: Auf dass das Wort erfüllet würde | Johann Sebastian Bach, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Daniel Ochoa | D Major | 2 | 10B | 172 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Goldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: VI. Allegretto tranquillo | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | G Major | 1 | 9B | 164 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 5 in D major, BWV 850 | Luc Beauséjour | D♭ Major | 4 | 3B | 60 BPM | ||
Concerto for Strings and Continuo in G minor, R. 156: 1. Allegro | Antonio Vivaldi, The English Concert, Trevor Pinnock | B Major | 2 | 1B | 116 BPM | ||
Concerto For 2 Keyboards In C Major, BWV 1061: I. - Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | C Major | 3 | 8B | 94 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 2: II. Allegro | Arcangelo Corelli, Anna Holbling, Ludovit Kanta, Daniela Ruso, Quido Holbling, Capella Istropolitana | F Major | 3 | 7B | 140 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Keyboard Sonata No. 24 in D Minor: Allegro | Carlos Seixas, Débora Halász | C Minor | 4 | 5A | 78 BPM |
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