"The Celestial Country: VII. No. 4, Intermezzo for String Quartet" by Charles Ives, Charles Gray, Lucinda Marvin, Annalee Wolf, David Carter was released on February 1, 2003. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 21 in Charles Ives: The Celestial Country by Charles Ives, Anton Armstrong, The St. Olaf Choir. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, The Celestial Country: VII. No. 4, Intermezzo for String Quartet is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Celestial Country: VII. No. 4, Intermezzo for String Quartet by Charles Ives, Charles Gray, Lucinda Marvin, Annalee Wolf, David Carter is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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4 Pieces, Op. 51 (arr. Rogal-Levitsky): Fragilite, Op. 51, No. 1 | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | E♭ Major | 0 | 5B | 77 BPM | ||
Les Noces, Scene 1: The Tresses (At the Bride's House) [the Wedding] | Susan Bickley, Martyn Hill, Alan Ewing, Alison Wells, Simon Joly Chorale, International Piano Quartet, Tristan Fry Percussion Ensemble, Robert Craft | E Major | 2 | 12B | 118 BPM | ||
12 Notations pour piano: I Fantasque - Modéré | Pierre Boulez, David Fray | D♭ Major | 0 | 3B | 79 BPM | ||
2 Thoughts About the Piano: No. 2. Catenaires | Elliott Carter, Ursula Oppens | F♯ Major | 3 | 2B | 68 BPM | ||
Four Transcriptions from Emerson: No. 3 (beg.) | Charles Ives | D♭ Minor | 0 | 12A | 78 BPM | ||
Music for Strings, Percussion and Celesta, BB 114: III. Adagio | Béla Bartók, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 1 | 10B | 73 BPM | ||
5 Preludes: No. 4. Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 0 BPM | ||
Study No. 2 (with false start) | Charles Ives | B Major | 3 | 1B | 77 BPM | ||
Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 2, Sunday Morning | Benjamin Britten, André Previn, London Symphony Orchestra | C Major | 2 | 8B | 114 BPM | ||
Shaker Loops (version for string orchestra): A Final Shaking | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 78 BPM |
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