Traditional, Christina Pluhar, Vincenzo Capezzuto's 'Traditional / Arr. Pluhar: Raziella' came out on October 29, 2021. With this song being about 5 minutes long, at 4:55, "Traditional / Arr. Pluhar: Raziella" by Traditional, Christina Pluhar, Vincenzo Capezzuto is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 24 in Alla Napoletana by Christina Pluhar, L'Arpeggiata. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Traditional / Arr. Pluhar: Raziella's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Traditional / Arr. Pluhar: Raziella by Traditional, Christina Pluhar, Vincenzo Capezzuto is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ojos, pues me desdeñais | José Marin, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores | B♭ Minor | 0 | 3A | 110 BPM | ||
Compassion: III. La Yu’minu (Until You Love Your Brother) | Lior, Nigel Westlake, Traditional, Sydney Symphony Orchestra | G Minor | 0 | 6A | 113 BPM | ||
A chantar m'er de so qu'eu no volria | Comtessa de Dia, Ensemble A Chantar | A Minor | 2 | 8A | 92 BPM | ||
Maddalena Casulana : Morir non può il mio core | Maddalena Casulana, Ensemble Laus Concentus, Silvia Piccolo, Massimo Lonardi, Maurizio Piantelli | C Major | 0 | 8B | 78 BPM | ||
Madrigals, Book 8 (Madrigali, libro ottavo), "Madrigali guerrieri, et amorosi": Lamento della ninfa, SV 163 (arr. for jazz ensemble) | Roberta Mameli, La Venexiana | A Minor | 1 | 8A | 66 BPM | ||
Falconieri / Arr. Pluhar: O vezzosetta (Aria sopra la Ciaccona) - L’Eroica | Andrea Falconieri, Christina Pluhar, Joao Fernandes, Zachary Wilder | C Major | 4 | 8B | 127 BPM | ||
Theile: Der Sionitin Wiegenlied: Nun, ich singe! Gott, ich knie | Johann Theile, Christina Pluhar, Céline Scheen, Philippe Jaroussky, Jesús Rodil, Dingle Yandell, L'Arpeggiata | F Major | 1 | 7B | 95 BPM | ||
She Moved Through the Fair (Arr. for Violin & Cello by Lynda O'Connor & Gerald Peregrine) | Traditional, Lynda O'Connor, Gerald Peregrine | E♭ Major | 0 | 5B | 130 BPM | ||
Augellin | Stefano Landi, L'Arpeggiata, Christina Pluhar | D Minor | 1 | 7A | 100 BPM | ||
Caccini: Il primo libro delle musiche: Chi desia di saper | Francesca Caccini, Philippe Jaroussky, Thibaut García | F Major | 1 | 7B | 133 BPM |
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