"Madrigals, Book 8 (Madrigali, libro ottavo), "Madrigali guerrieri, et amorosi": Lamento della ninfa, SV 163 (arr. for jazz ensemble)" by Roberta Mameli, La Venexiana was released on October 26, 2010. Since Madrigals, Book 8 (Madrigali, libro ottavo), "Madrigali guerrieri, et amorosi": Lamento della ninfa, SV 163 (arr. for jazz ensemble) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 'Round M: Monteverdi Meets Jazz, so we believe that "Madrigals, Book 8 (Madrigali, libro ottavo), "Madrigali guerrieri, et amorosi": Lamento della ninfa, SV 163 (arr. for jazz ensemble)" is a single. Madrigals, Book 8 (Madrigali, libro ottavo), "Madrigali guerrieri, et amorosi": Lamento della ninfa, SV 163 (arr. for jazz ensemble) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Madrigals, Book 8 (Madrigali, libro ottavo), "Madrigali guerrieri, et amorosi": Lamento della ninfa, SV 163 (arr. for jazz ensemble) by Roberta Mameli, La Venexiana is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sparge la morte al mio Signor nel viso | Carlo Gesualdo, La Venexiana | G Major | 1 | 9B | 68 BPM | ||
Oblivion | Astor Piazzolla, Anne Gastinel, Sandrine Piau, Violoncelles de l’Orchestre National de France | F Minor | 2 | 4A | 90 BPM | ||
Hammers | Nils Frahm, Remy Van Kesteren | F♯ Major | 1 | 2B | 73 BPM | ||
Etudes latines: Néère | Reynaldo Hahn, Véronique Gens, Susan Manoff | F♯ Minor | 0 | 11A | 104 BPM | ||
Stabat Mater | Andreas Scholl | F Major | 1 | 7B | 85 BPM | ||
Melos | Vassilis Tsabropoulos, Anja Lechner, U.T. Gandhi | G Minor | 1 | 6A | 130 BPM | ||
From Jewish Life, B. 55: I. Prayer | Ernest Bloch, Sol Gabetta | F Minor | 1 | 4A | 88 BPM | ||
In dulci jubilo, BuxWV52 | Dietrich Buxtehude, Eileen McLoughlin, Alfred Deller, Maurice Bevan, Eli Goren, Leonard Friedman, Anna Shuttleworth, Desmond Dupre, Denis Vaughan | F Major | 1 | 7B | 96 BPM | ||
Bagatelles I-XIII: Bagatelle II | Valentin Silvestrov, Hélène Grimaud | B♭ Major | 0 | 6B | 67 BPM | ||
Mamouche | Jean-Philippe Collard-Neven, Nasser Houari | D Minor | 2 | 7A | 139 BPM |
Section: 0.6043813228607178
End: 0.6121635437011719