"Das süsse Lied verhallt (Lohengrin)" by Max Lorenz, Orchester Der Staatsoper Berlin, Käthe Heidersbach was released on August 22, 2006. Since Das süsse Lied verhallt (Lohengrin) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Max Lorenz's "Max Lorenz - The complete Electrola Recordings" album is number 16 out of 33. Das süsse Lied verhallt (Lohengrin) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Das süsse Lied verhallt (Lohengrin) by Max Lorenz, Orchester Der Staatsoper Berlin, Käthe Heidersbach to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wess´ Herd dies auch sei (Die Walküre) | Max Lorenz, Margarete Teschemacher, Staatskapelle Dresden, Kurt Böhme | F Major | 1 | 7B | 82 BPM | ||
Achmet und Zenide, Act IV: Marsch | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | B♭ Major | 2 | 6B | 108 BPM | ||
Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 5. Variation IV. Andante con moto | Wilhelm Furtwängler | E♭ Minor | 2 | 2A | 168 BPM | ||
世界名曲:天鵝湖 | 蔡榮吉, 李淑雲, 吳爾笠 | C Major | 2 | 8B | 160 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
La damnation de Faust, Op. 24, H. 111: Ballet des syphes - Instrumental | Hector Berlioz, Philadelphia Orchestra, Charles Münch | D Major | 0 | 10B | 78 BPM | ||
Nimrod | Edward Elgar, Czech Philharmonic, Leopold Stokowski | F Major | 2 | 7B | 117 BPM | ||
Tannhäuser: Dir, Göttin der Liebe | Richard Wagner, Berliner Rundfunk Orchester, Wilhelm Ulbricht, Alfred Frey, Maria Reining, Chor des deutschen Opernhauses Berlin, Artur Rother, Max Lorenz, Chorus, Ludwig Hofmann, Karl Schmitt-Walter, Walther Ludwig, Walter Großmann | B Minor | 2 | 10A | 109 BPM | ||
Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Act I: Ed e bella la sposa? | Giacomo Puccini, Jozef Abel, Nelly Boschkowa, Miriam Gauci, Helena Hanzelova, Vladimir Kubovcik, Alžbeta Michálková, Yordy Ramiro, Jozef Spacek, Maria Stahelova, Robert Szücs, Georg Tichy, Ana Tomkovicova, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | C Major | 0 | 8B | 100 BPM | ||
Gotterdammerung (Twilight of the Gods), Act II Scene 4: Act II Scene 4: Helle Wehr! Heilige Waffe! (Siegfried, Brunnhilde, Chorus) | Richard Wagner, Max Lorenz, Hermann Uhde, Gustav Neidlinger, Josef Greindl, Astrid Varnay, Martha Mödl, Ruth Siewert, Melanie Bugarinovich, Erika Zimmermann, Hanna Ludwig, Hertha Töpper, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Joseph Keilberth | F Minor | 2 | 4A | 75 BPM |
Section: 0.782322883605957
End: 0.7866306304931641