"Das süsse Lied verhallt (Lohengrin)" by Max Lorenz, Orchester Der Staatsoper Berlin, Käthe Heidersbach was released on August 22, 2006. Since Das süsse Lied verhallt (Lohengrin) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Max Lorenz's "Max Lorenz - The complete Electrola Recordings" album is number 16 out of 33. Das süsse Lied verhallt (Lohengrin) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Das süsse Lied verhallt (Lohengrin) by Max Lorenz, Orchester Der Staatsoper Berlin, Käthe Heidersbach to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in E minor, Op. 98: 3. Allegro giocoso | Classic FM Orchestra | E♭ Major | 4 | 5B | 124 BPM | ||
Te Deum: Sanctus | Johann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber Orchestra | A♭ Minor | 2 | 1A | 125 BPM | ||
Symphony No. 5 in C Minor, Op. 67 (Arr. for Orchestra by Gustav Mahler): I. Allegro con brio | Ludwig van Beethoven, Deutsche Staatsphilharmonie Rheinland-Pfalz, Michael Francis | C Minor | 1 | 5A | 103 BPM | ||
Walking with an Angel | Laura Millocca, Ernesto Vallini, Valhalla Orquestra, Greg Dramund | F Minor | 1 | 4A | 72 BPM | ||
Die lustigen Weiber von Windsor: Overture | Otto Nicolai, Bavarian Radio Symphony Orchestra, Rafael Kubelík | B Minor | 0 | 10A | 112 BPM | ||
Don Giovanni, K. 527, Act I: Dalla sua pace - Remastered 2024 | Wolfgang Amadeus Mozart, Anton Dermota, Karl Böhm, Wiener Philharmoniker | B♭ Major | 1 | 6B | 96 BPM | ||
Four Last Songs, Op. posth., TrV 296: III. Beim Schlafengehen | Richard Strauss, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra | F Major | 1 | 7B | 67 BPM | ||
Respighi: Pines of Rome P. 141: The Pines of Janiculum | Ottorino Respighi, San Francisco Symphony, Esa-Pekka Salonen | B Major | 0 | 1B | 95 BPM | ||
Ultimo Break | TimeTunes | D♭ Major | 1 | 3B | 170 BPM | ||
Cimarosa: Il sacrificio d’Abramo: "Chi per pietà mi dice" - "Deh, parlate" (Sara) | Domenico Cimarosa, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | E♭ Major | 1 | 5B | 75 BPM |
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