"Die lustigen Weiber von Windsor: Overture" by Otto Nicolai, Bavarian Radio Symphony Orchestra, Rafael Kubelík was released on January 1, 1977. Since Die lustigen Weiber von Windsor: Overture is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 24 in the song's album "Nicolai: Die lustigen Weiber von Windsor". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Die lustigen Weiber von Windsor: Overture is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die lustigen Weiber von Windsor: Overture by Otto Nicolai, Bavarian Radio Symphony Orchestra, Rafael Kubelík having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum, WAB 45: II. Te ergo quaesumus | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Krassimira Stoyanova, Yvonne Naef, Christoph Strehl, Günther Groissböck, Bavarian Radio Chorus | F Major | 2 | 7B | 98 BPM | ||
Messa di Gloria: XV. Et vitam | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | D Major | 1 | 10B | 64 BPM | ||
Les 7 paroles du Christ: 1ère Parole - "Pater, dimitte illis" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | B♭ Minor | 1 | 3A | 141 BPM | ||
Symphony No.1 in C Minor, Op.68: Un poco Allegretto | Hamburg Symphony Orchestra | C Major | 2 | 8B | 91 BPM | ||
Requiem: I. Kyrie | Osip Kozlovsky, Galina Simkina, Konstantin Lisovsky, Lydia Chernykh, Valentina Panina, Vladimir Matorin, Moscow Choir of Teachers, Moscow State Choir, Vladimir Yesipov, USSR Ministry of Culture Symphony Orchestra | E♭ Major | 1 | 5B | 110 BPM | ||
Zanetta, S. 33 (Excerpts): Act III Entr'acte | Daniel Auber, Janacek Philharmonic Orchestra, Dario Salvi | A♭ Major | 2 | 4B | 110 BPM | ||
Te Deum: Tu Rex gloriae Christie | Georges Bizet, Angela Maria Blasi, Christian Elsner, Munich Motet Choir, Munich Philharmonic Orchestra, Hans Rudolf Zöbeley | F Major | 1 | 7B | 112 BPM | ||
Die lustigen Weiber von Windsor (The Merry Wives of Windsor): Act II: Duet: Fenton! - Mein Madchen (Anna, Fenton) | Otto Nicolai, Peter Schreier, Helen Donath, Staatskapelle Berlin, Heinz Schunk, Bernhard Klee | E♭ Major | 1 | 5B | 96 BPM | ||
Orphée aux enfers, ACT 1, Premier tableau: la campagne aux environs d'Athènes: La femme dont le coeur (Eurydice) | Jacques Offenbach, Natalie Dessay, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | C Major | 1 | 8B | 106 BPM | ||
Don Giovanni, K.527, Act II: Aria. "Mi tradì quest"alma ingrata" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM |
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