Robert Brown, Florida Middle School Honors Orchestra, Sherry Lowe's 'Telemann Sinfonia (After Trio in A Minor) [Live]' had a release date set for November 11, 2016. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Telemann Sinfonia (After Trio in A Minor) [Live]'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 2016 Florida Music Educators Association (FMEA): Middle School Honors Orchestra & All-State Middle School Orchestra (Live), so we believe that "Telemann Sinfonia (After Trio in A Minor) [Live]" is a single. Telemann Sinfonia (After Trio in A Minor) [Live] is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Telemann Sinfonia (After Trio in A Minor) [Live] by Robert Brown, Florida Middle School Honors Orchestra, Sherry Lowe is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Red Poppy: Russian Sailors' Dance | Reinhold Moritzewitsch Glière, Eugene Ormandy, Philadelphia Orchestra | A Minor | 5 | 8A | 88 BPM | ||
Requiem in D Minor K. 626: Lacrimosa (Instrumental) | The Mozart Project | C Major | 1 | 8B | 141 BPM | ||
Caprice No. 24 | David Garrett | A Minor | 4 | 8A | 59 BPM | ||
La Cinquantaine | Gabriel-Marie, Sebastian Comberti, Miriam Keogh | A Major | 1 | 11B | 90 BPM | ||
Nocturne No. 20 in C-Sharp Minor, Op. posth. (arr. N. Milstein) | Nathan Milstein, Frédéric Chopin, Elissa Lee Koljonen, Robert Koenig | D♭ Minor | 1 | 12A | 81 BPM | ||
Dance macabre, Op. 40, R. 171 (Arr. for Violin & Piano) | Camille Saint-Saëns, Valeria Zorina, Evgeny Sinaiski | E♭ Major | 2 | 5B | 112 BPM | ||
Passion | Robert Brown | D♭ Major | 9 | 3B | 97 BPM | ||
Act II. Waltz, Odetta's variations, the Dance of the small swans | Moscow New Philharmonic Orchestra, Vladimir Ponkin | A Major | 0 | 11B | 181 BPM | ||
Czardas | Vittorio Monti, Nicola Benedetti, Tamas Andras, Thomas Carroll, Ksenija Sidorova, Petr Limonov | D Major | 2 | 10B | 92 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | D Minor | 1 | 7A | 122 BPM |