"Nocturne No. 20 in C-Sharp Minor, Op. posth. (arr. N. Milstein)" by Nathan Milstein, Frédéric Chopin, Elissa Lee Koljonen, Robert Koenig was released on January 1, 1999. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Violin Recital: Koljonen, Elissa Lee - Chopin, F. / Elgar, E. / Rachmaninov, S. / Kreisler, F. / Liszt, F. (Heartbreak - Romantic Encores for Violin) by Elissa Lee Koljonen. The song's track number on the album is #1 out of 17 tracks. Nocturne No. 20 in C-Sharp Minor, Op. posth. (arr. N. Milstein) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Nocturne No. 20 in C-Sharp Minor, Op. posth. (arr. N. Milstein) by Nathan Milstein, Frédéric Chopin, Elissa Lee Koljonen, Robert Koenig has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Nocturne No. 20 in C-Sharp Minor, Op. posth. (arr. N. Milstein) being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Virtuoso Violin | Rafael Krux, David Krulic | G Minor | 6 | 6A | 135 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto | Sergei Rachmaninoff, Khatia Buniatishvili, Paavo Järvi | E Major | 0 | 12B | 75 BPM | ||
Nocturne No. 8 in D-Flat Major, Op. 27, No. 2 (arr. A. Wilhelmj) | August Wilhelmj, Frédéric Chopin, Elissa Lee Koljonen, Robert Koenig | D Major | 1 | 10B | 90 BPM | ||
Le Carnaval des Animaux, R. 125: 13. Le Cygne | Camille Saint-Saëns, Christopher van Kampen, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | G Major | 0 | 9B | 130 BPM | ||
Suite No. 7 in G Minor, HWV 432: No. 6 Passacaglia (Arr. for Piano) | Lazypianist | C Major | 2 | 8B | 200 BPM | ||
Ballade No. 1, G-Moll, op. 23 | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | G Minor | 1 | 6A | 65 BPM | ||
Chanson serenade espagnole, Op. 150: Serenade espagnole | Cécile Chaminade, Robert Koenig, Si-Qing Lu | D Major | 0 | 10B | 91 BPM | ||
Zigeunerweisen, Op. 20 (version for violin and orchestra): I. Moderato | RCA Victor Symphony Orchestra & William Steinberg | A Minor | 0 | 8A | 96 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
The Four Seasons (Concerti Op.8 Nos.1-4) Spring (La Primavera) Op.8 No.1 E Major: Allegro | Baroque Festival Orchestra, Alberto Lizzio | E Major | 0 | 12B | 87 BPM |
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