"Massenet: Thaïs, Act II, Tableau 2: Méditation (Andante religioso)" by Jules Massenet, Lorin Maazel, New Philharmonia Orchestra was released on 1988. With this song being about 5 minutes long, at 5:02, "Massenet: Thaïs, Act II, Tableau 2: Méditation (Andante religioso)" by Jules Massenet, Lorin Maazel, New Philharmonia Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 33 in the song's album "The Classic Experience". In this album, this song's track order is #14. Massenet: Thaïs, Act II, Tableau 2: Méditation (Andante religioso) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Massenet: Thaïs, Act II, Tableau 2: Méditation (Andante religioso) by Jules Massenet, Lorin Maazel, New Philharmonia Orchestra having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Romance No. 2 In F Major, Op. 50 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | F Major | 1 | 7B | 88 BPM | ||
13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | ||
Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Adoration (Arr. for Cello & Orchestra by Julian Riem) | Florence Beatrice Price, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds | G Major | 1 | 9B | 86 BPM | ||
Thaïs / Acte Deux: Méditation religieuse - Symphonie | Jules Massenet, Renaud Capuçon, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | ||
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | D Major | 2 | 10B | 66 BPM | ||
Thaïs: Méditation (Arr. David Stanhope) | David Stanhope, Jules Massenet | D Major | 0 | 10B | 72 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM |
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