"III Litania - Litany No. 3: II. Christe audi nos" by Stanisław Moniuszko, Jacek Kaspszyk, Chór Polskiego Radia, Wrocławska Orkiestra Barokowa, Magdalena Lisak, Anna Dennis, Markéta Cukrová, Virgil Hartinger, Jarosław Bręk was released on 2013. The duration of III Litania - Litany No. 3: II. Christe audi nos is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. III Litania - Litany No. 3: II. Christe audi nos's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Stanisław Moniuszko, Jacek Kaspszyk, Chór Polskiego Radia, Wrocławska Orkiestra Barokowa's "Litanie Ostrobramskie (Litanies of Ostra Brama)" album is number 11 out of 18. On top of that, Poland appears to be the country where this track was created. In terms of popularity, III Litania - Litany No. 3: II. Christe audi nos is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of III Litania - Litany No. 3: II. Christe audi nos by Stanisław Moniuszko, Jacek Kaspszyk, Chór Polskiego Radia, Wrocławska Orkiestra Barokowa, Magdalena Lisak, Anna Dennis, Markéta Cukrová, Virgil Hartinger, Jarosław Bręk to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
W.Kilar/G.Niemczuk - Valse Ziema Obiecana | Grzegorz Niemczuk, Wojciech Kilar | E Minor | 0 | 9A | 93 BPM | ||
Monteverdi: L'incoronazione di Poppea, Act 1: "E pur io torno qui" (Ottone) | Claudio Monteverdi, Jakub Józef Orliński, Il Pomo D'oro | F Major | 1 | 7B | 68 BPM | ||
Sonety Krymskie: Noc | Stanisław Moniuszko, Chór Polskiego Radia, Orkiestra Historyczna, Dirk Vermuelen, Aleksander Kunach, Maria Piotrowska-Bogalecka | F♯ Major | 1 | 2B | 102 BPM | ||
6 Lieder, Op. 31: No. 6, Abschied | Ferdinand Ries, Wolfgang Müller von Königswinter, Äneas Humm, Judit Polgar | F Major | 2 | 7B | 93 BPM | ||
Suite from Mam'zelle Angot (Arranged and Orchestrated by Gordon Jacob), Act I: No. 1, Allegro | Alexandre Lecocq, Estonian National Symphony Orchestra, Neeme Järvi | F Minor | 1 | 4A | 135 BPM | ||
12 Danzas espanolas (Spanish Dances), Op. 37 (arr. R. Ferrer): No. 2. Orientale | Rafael Ferrer, Enrique Granados, Barcelona Symphony and Catalonia National Orchestra, Salvador Brotons | C Minor | 0 | 5A | 81 BPM | ||
Stabat Mater in F Monir P. 77: XII Quando corpus | Simone Perugini | E♭ Minor | 1 | 2A | 100 BPM | ||
Armida: Sinfonia | Gioachino Rossini, José Miguel Pérez-Sierra, Krakow Philharmonic Orchestra | D Major | 4 | 10B | 74 BPM | ||
The Maid of Orleans, TH 6, Act 1: Adieu forêts (Arr. for Countertenor & String Quartet by Eric Mouret) | Pyotr Ilyich Tchaikovsky, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
Solomon HWV 67 / Act 3: The Arrival of the Queen of Sheba | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Monika Razynska, Arkadiusz Kropa | B♭ Major | 4 | 6B | 129 BPM |
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