George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Monika Razynska, Arkadiusz Kropa made "Solomon HWV 67 / Act 3: The Arrival of the Queen of Sheba" available on January 1, 2006. The duration of Solomon HWV 67 / Act 3: The Arrival of the Queen of Sheba is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Solomon HWV 67 / Act 3: The Arrival of the Queen of Sheba's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "New Seasons - Händel für Oboe und Orchester". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Based on our statistics, Solomon HWV 67 / Act 3: The Arrival of the Queen of Sheba's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Solomon HWV 67 / Act 3: The Arrival of the Queen of Sheba by George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Monika Razynska, Arkadiusz Kropa having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ich ruf' zu dir, Herr Jesu Christ, BWV 639 | Johann Sebastian Bach, Albrecht Mayer, Sinfonia Varsovia | F♯ Minor | 2 | 11A | 107 BPM | ||
The Wave of the Surging Thoughts: II. Rhapsody. Tenacity and Struggle | Daqun Jia, Sinfonia Varsovia, Michał Klauza | E♭ Minor | 1 | 2A | 86 BPM | ||
Symphony No. 5 in D Minor, Op. 107, MWV N 15 "Reformation": II. Allegro vivace | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 85 BPM | ||
Concerto for Harpsichord, Strings & Continuo No. 4 in A Major, BWV 1055: III. Allegro ma non tanto | Johann Sebastian Bach, Albrecht Mayer, Sinfonia Varsovia | A Major | 2 | 11B | 79 BPM | ||
Oboe Concerto in C Major - Arr. Benjamin: 4. Allegro giusto | Domenico Cimarosa, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | C Major | 1 | 8B | 108 BPM | ||
Concerto for Oboe, Bassoon, Harpsichord and B.c. "Piagge serene": Adagio (from Sonata a cinque, HWV 288) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Guilhaume Santana, Jakub Haufa, Monika Razynska | B♭ Major | 1 | 6B | 163 BPM | ||
Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM | ||
Violin Romance No. 2 in F, Op. 50 | Ludwig van Beethoven, Arthur Grumiaux, Royal Concertgebouw Orchestra, Bernard Haitink | F Major | 1 | 7B | 115 BPM | ||
Canon And Gigue In D Major, P 37 | Johann Pachelbel, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 113 BPM | ||
Harpsichord Suite No. 5 in E HWV 430 "The Harmonious Blacksmith" - Arr. Andreas N. Tarkmann: Variations for Oboe, Bassoon and Harpsichord | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Guilhaume Santana, Monika Razynska | F Major | 2 | 7B | 140 BPM |
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