"The Wave of the Surging Thoughts: II. Rhapsody. Tenacity and Struggle" by Daqun Jia, Sinfonia Varsovia, Michał Klauza was released on April 12, 2024. The Wave of the Surging Thoughts: II. Rhapsody. Tenacity and Struggle appears to be safe for all ages as it is not explicit. The song is number 2 out of 6 in Daqun Jia: The Wave of the Surging Thoughts & Bashu capriccio by Daqun Jia, Jakub Haufa, Sinfonia Varsovia, Michał Klauza. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. The Wave of the Surging Thoughts: II. Rhapsody. Tenacity and Struggle is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Wave of the Surging Thoughts: II. Rhapsody. Tenacity and Struggle by Daqun Jia, Sinfonia Varsovia, Michał Klauza is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: I. Ouvertüre | Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker | A Major | 1 | 11B | 70 BPM | ||
The Song Without Words: III. Sonority of Drums | Daqun Jia, Zhengdao Lu | A♭ Major | 4 | 4B | 129 BPM | ||
Piano Concerto in B Minor, Op. 3: III. Scherzo. Molto vivace | Moritz Moszkowski, BBC Scottish Symphony Orchestra, Ludmil Angelov, Vladimir Kiradjiev | B Major | 1 | 1B | 82 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": III. Nicht schnell | Robert Schumann, Antwerp Symphony Orchestra, Philippe Herreweghe | E♭ Major | 2 | 5B | 121 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 3 in F Major (orch. J. Brahms) | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F Major | 0 | 7B | 138 BPM | ||
The Song Without Words: I. Recitative of Octoban | Daqun Jia, Zhengdao Lu | A♭ Major | 4 | 4B | 129 BPM | ||
Symphony No. 1: III. Intermezzo | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | E Major | 4 | 12B | 163 BPM | ||
I Fontani di Roma, P. 106: II. La fontana del Tritone al mattino | Ottorino Respighi, Minnesota Orchestra, Antal Doráti | C Major | 2 | 8B | 77 BPM | ||
Petrushka, K12 (1947 Version): IVf. The Masqueraders | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Fantasia on Themes from Gounod's 'Faust', Op. 20: IV. Moderato | Henryk Wieniawski, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | F Major | 0 | 7B | 109 BPM |
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