Pyotr Ilyich Tchaikovsky, Théophile Alexandre, Quatuor Zaïde's 'The Maid of Orleans, TH 6, Act 1: Adieu forêts (Arr. for Countertenor & String Quartet by Eric Mouret)' came out on January 21, 2022. The duration of The Maid of Orleans, TH 6, Act 1: Adieu forêts (Arr. for Countertenor & String Quartet by Eric Mouret) is about 3 minutes long, at 3:01. Based on our data, "The Maid of Orleans, TH 6, Act 1: Adieu forêts (Arr. for Countertenor & String Quartet by Eric Mouret)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "No(s) Dames". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. Based on our statistics, The Maid of Orleans, TH 6, Act 1: Adieu forêts (Arr. for Countertenor & String Quartet by Eric Mouret)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Maid of Orleans, TH 6, Act 1: Adieu forêts (Arr. for Countertenor & String Quartet by Eric Mouret) by Pyotr Ilyich Tchaikovsky, Théophile Alexandre, Quatuor Zaïde having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violettes imperiales | Francis Lopez, Ana Maria Martinez, Prague Philharmonia, Steven Mercurio | G Major | 1 | 9B | 60 BPM | ||
Shchedrin: Carmen Suite: VII. Second Intermezzo (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | E Major | 1 | 12B | 116 BPM | ||
Don Giovanni, Act II, K. 527: “Vedrai carino” | Charlotte Hoather | C Major | 2 | 8B | 71 BPM | ||
Godard: Jocelyn, Op. 100, Act 2: "Cachés dans cet asile" (Jocelyn) | Benjamin Godard, Pene Pati, Emmanuel Villaume, Orchestre National Bordeaux Aquitaine | F Major | 0 | 7B | 69 BPM | ||
Serenade for Strings in C major, Op. 48: II. Walzer: Moderato, tempo di valse | Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet | G Major | 1 | 9B | 66 BPM | ||
La bola de cristal | Juan Pablo Fernández Ramos | G Minor | 1 | 6A | 80 BPM | ||
Czyż: Pożegnania: No. 3, Ostatni raz | Henryk Czyz, Jakub Józef Orliński, Michał Biel | D♭ Minor | 3 | 12A | 71 BPM | ||
La traviata: "Addio del passato" | Parma Brass Quintet | A Minor | 2 | 8A | 95 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act II: No. 14, Scene. Moderato | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Minor | 2 | 9A | 78 BPM | ||
Maometto II, Act 3 Scene 5: Giusto Ciel (Arr. for Countertenor & String Quartet by Eric Mouret) | Gioachino Rossini, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM |
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