"Stabat mater in C Major: Stabat mater" by Emanuele d'Astorga, Thomas Hengelbrock, Balthasar-Neumann-Chor was released on August 16, 1996. With this song being about 5 minutes long, at 5:22, "Stabat mater in C Major: Stabat mater" by Emanuele d'Astorga, Thomas Hengelbrock, Balthasar-Neumann-Chor is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 25 in Durante, Astorga, Pergolesi / Sacred Works by Thomas Hengelbrock. Stabat mater in C Major: Stabat mater is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Stabat mater in C Major: Stabat mater by Emanuele d'Astorga, Thomas Hengelbrock, Balthasar-Neumann-Chor is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VI. Benedictus, 2. Hosanna in excelsis | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | F♯ Minor | 1 | 11A | 77 BPM | ||
Te Deum: VI. Tu ad liberandum | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Christus hat einmal für die Sünde gelitten, TWV 1:140: III. Es klagte das Gesetz | Georg Philipp Telemann, Julia Grutzka, Gutenberg Soloists, Neumeyer Consort, Felix Koch | F♯ Major | 1 | 2B | 95 BPM | ||
Laudate pueri, HWV 237: VI. Suscitans a terra | George Frideric Handel, Carolyn Sampson, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
I. Christ Lag In Todes Banden BWV 4, 4. Aria (Tenore) (Versus III): Jesus Christus, Gottes Sohn | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Bas Ramselaar, Nico Van Der Meel, Johann Sebastian Bach, Sytse Buwalda, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad genua: Aria "Ut te quaeram mente pura" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air and chorus: The trumpet's loud clangour | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Magnificat, Wq. 215: Magnificat, Wq. 215: 7. Arie. Suscepit Israel puerum suum (A) | Carl Philipp Emanuel Bach, Wiebke Lehmkuhl, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D♭ Minor | 0 | 12A | 74 BPM | ||
Te Deum "de Lyon": IV. Te martyrum candidatus laudat exercitus | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
Missa Dolorosa: I. Kyrie | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM |
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