"Representacion: Nº. 2 Bis (cont.) Ensayo con Orquesta (Oh! Selika io t'adoro...) - Live" by Manuel Fernandez Caballero, Coro y Orquesta Sinfónica de Madrid, Jesús López-Cobos, Maria Rodriguez, Guillermo Orozco, Luis Alvarez was released on January 1, 2004. The duration of Representacion: Nº. 2 Bis (cont.) Ensayo con Orquesta (Oh! Selika io t'adoro...) - Live is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Representacion: Nº. 2 Bis (cont.) Ensayo con Orquesta (Oh! Selika io t'adoro...) - Live's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Manuel Fernandez Caballero, Orquesta Titular del Teatro Real, Jesús López-Cobos, Coro Titular Del Teatro Real's "Manuel Fernández Caballero:El Dúo De La Africana" album is number 6 out of 24. Representacion: Nº. 2 Bis (cont.) Ensayo con Orquesta (Oh! Selika io t'adoro...) - Live is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Representacion: Nº. 2 Bis (cont.) Ensayo con Orquesta (Oh! Selika io t'adoro...) - Live by Manuel Fernandez Caballero, Coro y Orquesta Sinfónica de Madrid, Jesús López-Cobos, Maria Rodriguez, Guillermo Orozco, Luis Alvarez to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fausto, Act IV: Stretta. A morte vergognosa! | Louise Bertin, Karine Deshayes, Les Talens Lyriques, Christophe Rousset | B Major | 5 | 1B | 98 BPM | ||
La Gran Via: Tango de la menegilda - 2006 - Remaster | Joaquín Valverde, Victoria de los Ángeles, Orquesta Nacional De España, Rafael Frühbeck de Burgos | E Minor | 0 | 9A | 83 BPM | ||
String Quartet in C major: Andante | Manuel Fernandez Caballero, Tomás Garrido, Camerata del Prado | B♭ Minor | 4 | 3A | 97 BPM | ||
La Canción del Olvido: "Canción de Rosina" | Coros Cantores De Madrid, Agrupación Vocal de Cámara del Centro de Instrucción Comercial, Pilar Lorengar | G Major | 2 | 9B | 106 BPM | ||
Las Golondrinas, Final, I parte: "¡Qué linda es Colombina!" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Coro del Gran Teatro del Liceo de Barcelona | A Major | 3 | 11B | 71 BPM | ||
Pagliacci: La Commedia: Paliaccio, mio marito (Nedda) | Ruggero Leoncavallo, Victoria de los Ángeles, Jussi Björling, George Cehanovsky, Paul Franke, Leonard Warren, Richard Wright, Robert Merrill, Columbus Boychoir, Robert Shaw Chorale, RCA Victor Orchestra, Renato Cellini | C Major | 1 | 8B | 93 BPM | ||
La Boheme, dritter Akt: D'onde lieta Usci | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Requiem, Op. 63: Ib. Te decet hymnus – | Charles Villiers Stanford, Carolyn Sampson, James Way, Ross Ramgobin, Marta Fontanals-Simmons, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn Brabbins | E Minor | 1 | 9A | 79 BPM | ||
Die Csardasfurstin (The Gypsy Princess): Act III: Schlussgesang: Tausend kleine Engel (Sylva, Stasi, Edwin, Boni) | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | C Major | 2 | 8B | 91 BPM | ||
Gigantes y Cabezudos: Introduccion y disputa - Escena de las vendedoras y salida de timoteo - Jota | Manuel Fernandez Caballero, Ataúlfo Argenta | G Major | 1 | 9B | 139 BPM |
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