Manuel Fernandez Caballero, Ataúlfo Argenta's 'Gigantes y Cabezudos: Introduccion y disputa - Escena de las vendedoras y salida de timoteo - Jota' came out on January 1, 2000. Since Gigantes y Cabezudos: Introduccion y disputa - Escena de las vendedoras y salida de timoteo - Jota is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 6 in Caballero: Gigantes y Cabezudos by Manuel Fernandez Caballero, Ataúlfo Argenta, Gran Orquesta Sinfonica, Ana Maria Iriarte, Maria Teresa Erdozain, Maria Prieto, Carlos Munguia, Nicolas Aldanondo, Faustino Aurquia. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Gigantes y Cabezudos: Introduccion y disputa - Escena de las vendedoras y salida de timoteo - Jota's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Gigantes y Cabezudos: Introduccion y disputa - Escena de las vendedoras y salida de timoteo - Jota by Manuel Fernandez Caballero, Ataúlfo Argenta is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gounod : Faust : Act 1 "De l'enfer qui vient émousser" [Siébel, Valentin, Wagner, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | B♭ Major | 2 | 6B | 80 BPM | ||
Iris, Act I: Apri la tua finestra! | Pietro Mascagni, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
El Pájaro Azul, Acto I: Cual Ruiseñor Canta En Libertad... (Fado) - Remastered | Antonio Lopez Monis, Rafael Millán, Marcos Redondo | G Major | 2 | 9B | 72 BPM | ||
La Verbena de la Paloma, Act I: Rita y Julián (Rita, Julián, Guardia 1, Guardia 2, Casta, Susana, Antonia, Hilarión) | Tomás Bretón, Rafael Castejon, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | C Major | 2 | 8B | 96 BPM | ||
5 mélodies populaires grecques: No. 3, Quel galant m'est comparable | Radio Bratislava Symphony Orchestra, Paulina Stark, Dennis Burkh | G Major | 1 | 9B | 0 BPM | ||
Les Diamants de la couronne, S. 34: Overture | Daniel Auber, Estonian National Symphony Orchestra, Neeme Järvi | C Major | 2 | 8B | 147 BPM | ||
Cavalleria rusticana: Part II: A voi tutti salute! (Alfio, Chorus, Turiddu, Lola, Women) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | C Major | 1 | 8B | 61 BPM | ||
Golondrina de Madrid: "¡Otra Vez Juntos!¡Éste Me Sigue!" | Luis Fernández de Sevilla, Jose Serrano, Orquesta del Teatro Calderón | B♭ Major | 3 | 6B | 103 BPM | ||
La Viejecita: "Es Que Ha Dado un Salto Muy Alto" | Miguel Echegaray, Manuel Fernandez Caballero, Gran Orquesta de Cámara de Madrid | D Major | 2 | 10B | 137 BPM | ||
Dale Fuego al Chaparral / Yo Tenía, Yo Tenía - Remastered | Jesús Gracia, Piedad Gil, Rondalla Santamaría, Florencio Santamaría | C Major | 4 | 8B | 85 BPM |
Section: 0.70381760597229
End: 0.707599401473999