"Aida: Act III: O cieli azzurri … (Aida)" by Giuseppe Verdi, Maria Callas, Mario del Monaco, Oralia Dominguez, Giuseppe Taddei, Roberto Silva, Ignacio Ruffino, Palacio de Bellas Artes Chorus, Palacio de Bellas Artes Orchestra, Oliviero de Fabritiis was released on January 1, 2015. With this song being about 5 minutes long, at 4:30, "Aida: Act III: O cieli azzurri … (Aida)" by Giuseppe Verdi, Maria Callas, Mario del Monaco, Oralia Dominguez, Giuseppe Taddei, Roberto Silva, Ignacio Ruffino, Palacio de Bellas Artes Chorus, Palacio de Bellas Artes Orchestra, Oliviero de Fabritiis is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Verdi: Aida (1951) by Giuseppe Verdi, Maria Callas, Mario del Monaco, Oralia Dominguez, Giuseppe Taddei, Oliviero de Fabritiis. The song's track number on the album is #6 out of 44 tracks. Based on our data, United States was the country where this track was produced or recorded. The popularity of Aida: Act III: O cieli azzurri … (Aida) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Aida: Act III: O cieli azzurri … (Aida) by Giuseppe Verdi, Maria Callas, Mario del Monaco, Oralia Dominguez, Giuseppe Taddei, Roberto Silva, Ignacio Ruffino, Palacio de Bellas Artes Chorus, Palacio de Bellas Artes Orchestra, Oliviero de Fabritiis has a tempo of 173 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Aida: Act III: O cieli azzurri … (Aida) being at 173 BPM, the half-time would be 86 BPM with a double-time of 346 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'ultima canzone | Francesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | D Major | 2 | 10B | 72 BPM | ||
La traviata / Act 1: "Follie! Delirio vano è questo!" - "Sempre libera" | Giuseppe Verdi, Kiri Te Kanawa, Alfredo Kraus, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | D♭ Major | 1 | 3B | 91 BPM | ||
Macbeth / Act I: Due vaticini compiuti or sono | Giuseppe Verdi, Piero Cappuccilli, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | C Major | 8 | 8B | 180 BPM | ||
Rigoletto / Act 3: "Bella figlia dell'amore" | Giuseppe Verdi, Renato Bruson, Edita Gruberova, Neil Shicoff, Brigitte Fassbaender, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli | D♭ Major | 2 | 3B | 119 BPM | ||
Turandot: Tu, che di gel sei cinta | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | B Major | 2 | 1B | 87 BPM | ||
Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | C Major | 3 | 8B | 148 BPM | ||
J. Strauss: Radetzky March | Johann Strauss I, Willi Boskovsky, Wiener Johann Strauss Orchester | A Major | 4 | 11B | 112 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Puccini: Tosca, Act 2: "Vissi d'arte, vissi d'amore" (Tosca) | Giacomo Puccini, Maria Callas, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 1 | 5B | 90 BPM | ||
Falstaff / Act 3: Dal labbro il canto estasiato | Giuseppe Verdi, Dalmacio Gonzales, Barbara Hendricks, Katia Ricciarelli, Lucia Valentini Terrani, Brenda Boozer, Los Angeles Philharmonic, Carlo Maria Giulini | A♭ Major | 0 | 4B | 127 BPM |
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